Favorite Performances of 2012

For all of its many, MANY merits overall, I don’t think 2012 stands out as a particularly great year for performances. Whereas 2011 was a seriously weak year for films (see: the Best Picture win for The Artist) but packed full of great performances, I think 2012 was the exact opposite. Despite the number of high quality films that made landfall in theaters, much of the year’s greatness did not depend as much on the performances, per se, as they did on a more well-rounded strength. This is not to suggest that there weren’t a number of excellent portrayals that caught my eye this year, but rather that I was more impressed by, say, Argo as a whole than I was by Ben Affleck’s acting itself, and that’s not always the case. That said, while I didn’t think this was an especially great year for individual acting performances, I openly admit to cheating, not once but twice, in order to get everyone in on this list that I wanted to commend. So perhaps my opening hypothesis is flawed. Regardless, I present to you my 10 favorite performances of 2012. NOTE: Please keep in mind the terminology in that sentence: this is my list of FAVORITES, not necessarily the list of the BEST. More than once the two come together but this is my opportunity to highlight some performances that I truly loved even if they won’t show up in any award nominations.

HONORABLE MENTION Mel Gibson – Driver, Get the Gringo John Goodman – John Chambers, Argo Joaquin Phoenix – Freddie Quell, The Master Each of these esteemed actors did excellent work in their respective roles but fell just short of making this top 10 for one reason or another. Gibson was tremendous in the underseen gritty action piece Gringo but if I’m being honest, I couldn’t decide whether his performance was really that great or if it was just so good to see him getting back to what he does best. American Treasure John Goodman was the most charming presence in one of the best unconventional ensemble films in recent memory but his role was so small that I felt other actors/actresses should be highlighted. And Phoenix truly is the litmus test between “favorite” and “best” because while his performance is magnificent, it’s not one that I ever want to sit through again.

10. The Major Surprises Channing Tatum – Jenko, 21 Jump Street Jack Black – Bernie Tiede, Bernie Mark Ruffalo – The Hulk/Bruce Banner, The Avengers

Obviously I’m exercising my right to cheat here but all of these actors deserve a mention and all of them caught me completely off guard.

Going into the year Channing Tatum was a guy I had very little respect for and of all the reasons to be nervous about 21 Jump Street, he was at the top of the list. Lo and behold, the guy is SERIOUSLY funny and owned his role completely. I’ve thought long and hard and I’m not sure there’s a single name actor in Hollywood who could have replaced Tatum and gotten that much out of it.

Bernie is one of the weirdest movie watching experiences I’ve ever had as it has you rooting for a man who, in real life, killed an innocent woman and was sentenced to life in prison. Yet Black presents him with such charm and nuance that you can’t help but wish him well. Bernie is available on Netflix Instant and is worth watching just for Black, whom I’ve never really been a big fan of, by the way.

Ruffalo was perhaps the biggest surprise for me. I was bummed when Marvel pushed Edward Norton out of the Hulk’s green skin before the production of The Avengers and even more bummed when they replaced him with Ruffalo, an actor whose appeal I have never understood. I was wrong to be upset, as Ruffalo brought BOTH sides of his character to life in ways they never have been before. From an acting standpoint, he’s the best part of the year’s biggest movie.

9. Michael Fassbender – David, Prometheus I may be in the minority but I really liked Prometheus. What I’m not in the minority about is Fassbender’s performance, which even the film’s biggest haters pointed to as a positive. As a curious android, Fassbender is truly magnetic and only left me wanting more. It’s a supporting role but still the one that stands out as the film’s most important.

8. Robert De Niro – Pat, Silver Linings Playbook I have openly pined over the years for Robert De Niro to do something, ANYTHING, significant. He is, in my opinion, the greatest American actor of his generation and it has broken my spirit to see him working on junk like Righteous Kill and New Year’s Eve. His role in Silver Linings Playbook is undoubtedly significant, a weighty piece of acting that takes the viewer through a gamut of emotions. It’s his best work in perhaps 15 years or more and reminds you of just how great the man can be.

7. Jennifer Lawrence – Tiffany, Silver Linings Playbook It takes a talented woman to play a teenage heroine in a tentpole blockbuster and troubled widow in an awards-bait drama (and I think we can all pretend House at the End of the Street never happened) in the same year. Obviously Lawrence is that woman. Her character is a mixed bag of ups and downs, highs and lows, and with each shift in behavior or attitude, Lawrence is perfectly balanced and spot-on in her performance. You could make a case for Lawrence as the biggest actress in Hollywood right now and I wouldn’t argue with you.

6. Joseph Gordon-Levitt – Joe, Looper In the future it’s likely that, given the chain of events in the closing act, JGL’s turn in The Dark Knight Rises will be remembered as the one that launched him into a different stratosphere as an actor but for me, his performance in Looper is the one to remember. Not only was the film an incredibly cool sci-fi action piece, JGL drove it most of the way with a powerful portrayal that took it to a higher level than even I would have expected, and I expected a lot quite frankly. And while the prosthetics and effects helped to make him look like a young Bruce Willis, it was his painstakingly meticulous method of adopting Willis’ mannerisms and facial expressions that really set his work apart.

5. Martin Freeman – Bilbo Baggins, The Hobbit: An Unexpected Journey This is probably an unconventional choice for anyone who hasn’t spent a significant amount of time immersed in the literary version of The Hobbit. But since I have, let me just say that stepping into the shoes of an iconic character who many people, including (and perhaps especially) myself, have been looking forward to seeing in real life is a tall order. To absolutely and completely nail said character in every way, shape, and form is another thing entirely. Freeman’s interpretation of Bilbo Baggins was, to be blunt, PERFECT and I can’t wait to see what he does with the character in the following installments.

4. Quvenzhane Wallis – Hushpuppy, Beasts of the Southern Wild It doesn’t get much better than what Wallis gives the audience in Beasts and the fact that she’s able to do it at nine years old is almost unbelievable. This is a movie, and by proxy a performance, that cannot be properly summarized in a space like this unless you’ve seen it for yourself (so…like…maybe you should do that) but suffice it to say that the mix of vulnerability and power that Wallis demonstrates is both haunting and inspiring.

3. Daniel Day Lewis – Abraham Lincoln, Lincoln What can you say about a performance that is almost assuredly going to score not only a Best Actor nomination but a win in the category? DDL does not bring to life the most important president in the history of the United States; instead, he really and truly BECOMES Abraham Lincoln to the point that if you were to send him back in time to 1864, his own family might not have been able to tell the difference.

2. The Cast of Django Unchained Alright, so here’s my second instance of cheating. I opted for this route because otherwise, at least three spots on this list would be taken up by actors from this film and then what sort of boring list would it be? Django Unchained won’t wind up as my favorite of the year (though it’s close) but it is undoubtedly my favorite from an overall acting standpoint. Other than a casual cameo by Mr. Tarantino himself, there is not a weak link in the varied cast and if it were up to me, just about all of the main cast members would receive Oscar nominations.

My hunch is that Leonardo DiCaprio, as a light-hearted plantation owner with a mean streak, and Samuel L. Jackson, as his diabolical house slave, are the most likely to pull in nominations. These would, of course, be well deserved. But while Jamie Foxx, in the role of the titular character, is at times overshadowed by his supporting players, the dynamic flair and ruthless power that grows within Django as the film goes on is spectacular and builds the momentum exquisitely. And Christoph Waltz, in a role so very different from his Oscar-winning turn in Inglourious Basterds is an absolute joy to watch. That’s not to mention the smaller but still strong performances by Kerry Washington, Walton Goggins, Don Johnson, and Jonah Hill. In a year that stands out for well-rounded, ensemble casts (Argo, Zero Dark Thirty, etc.), Django Unchained takes precedence at the top of the list thanks to a collection of great actors who all turn in memorable and incredible performances.

1. Jessica Chastain – Maya, Zero Dark Thirty Hers is the most recent in my memory, having just seen Zero Dark Thirty, but I imagine I’ll still be thinking about it many months from now. Chastain’s performance is powerful, passionate, and almost overflowing with intensity but more importantly, she serves as the voice for an entire nation. I saw myself in her character and it is that trait that makes this such a remarkable piece of work. Get this woman a Best Actress trophy right now and while we’re at it, let’s just put her in all of the movies from here on out.

Review: 50/50

If I had a time machine (this flux capacitor thing is turning out to be much more complex than I originally thought) I’d go back to around 1995, find some underhanded Hollywood oddsmaker, and lay down some serious cash on Joseph Gordon-Levitt becoming a big deal. Whether it was his turn in my generation’s most uplifting sports movie, “Angels in the Outfield” (I’m only half kidding) or his consistent scene stealing on “3rd Rock from the Sun”, I just always had a feeling that this guy was going to make a serious mark. He disappeared for a few years and I bided my time, knowing that he was just one role from a breakout, hoping to be proven right. And then, BAM! 2007 rolls around and JGL shows up in “The Lookout”, a smart thriller that Roger Ebert himself raved about. From that point on, it’s been one well-respected film after another (we can all forget about “G.I. Joe”, right?). JGL is now a go-to-guy for leading indie roles and a mainstay for Christopher Nolan, perhaps the biggest director in the industry right now. I’ve been wrong many times (how is Danielle Fishel not taking roles from Ginnifer Goodwin?!) but I was spot on with JGL and “50/50” is my sweet vindication for touting his many virtues. Adam (Gordon-Levitt) is a rule-following, mild-mannered twentysomething who lives in 50-50-movie-poster1Seattle with his girlfriend, Rachael (Bryce Dallas-Howard), and works at Seattle Public Radio. His life takes a sudden and dramatic turn when he is diagnosed with a rare form of cancer that has taken over his spine. A laidback kind of guy, Adam handles each hurdle with surprising ease and levity while engaging in somewhat helpful counseling from Katie (Anna Kendrick), a young psychologist the hospital assigns him. Before long, though, his complex relationships with Rachael, his best friend Kyle (Seth Rogen), and his needy mother (Angelica Huston) become even more convoluted with the introduction of chemotherapy and medicinal marijuana into his life. As the severity of his condition increases, Adam begins to reassess his life, his relationships, and the nonplussed façade he uses to get himself through.

The inevitable comparisons between “50/50” and 2009’s “Funny People” are unfortunate. While I stuck up for “Funny People” more than most of my colleagues, even I will admit it is an incredibly flawed film that misses the mark on many levels. “50/50”, then, plays out a bit like what “Funny People” should have been, right down to the performance of Seth Rogen. It is, first and foremost, a very funny movie and that is where “Funny People” first went awry. You can’t make a comedy about cancer, or any other serious illness for that matter, and fail to produce a genuinely funny script. Laughs come often and organically. I also quite liked that writer Will Reiser (who based his script on the events of his own battle with cancer) makes it clear early on that he intends to laugh at cancer and if you’re not up for that, you’re in the wrong theater. That is not to say that the disease itself or the havoc it wreaks on Adam’s life is disrespected or ignored; in fact, “50/50” gives a fairly realistic view of the hell that is aggressive cancer and the sometimes even more aggressive treatment. “50/50” is bold but soft, a combination that works well.

The dialogue between the characters in “50/50” flows with tremendous ease, especially in the scenes involving Adam and Kyle. This dynamic between JGL and Rogen is the meat of the film and the two play it out brilliantly. They have a chemistry that Anne Hathaway only wishes she could develop with…well, anyone. (That was an unnecessary shot at Miss Hathaway. My apologies.) They reminded me of the type of friendship I might have with any one of my closer pals if we cursed more and occasionally smoked pot. Adam’s other relationships are a bit awkward but whether this was done on purpose or not, it serves the narrative well. In my mind he would have a tense partnership with Rachael because they’re clearly not suited for each other and any furtherance of his friendship with Katie beyond doctor-patient would be a bit odd.

All of the supporting actors hold their own. As spot-on as I might have been with JGL all those years ago, I would have never guessed, after reluctantly watching “Twilight”, that Kendrick would be an actress whose performances I truly look forward to. This isn’t quite to the level of her work in “Up in the Air” but it is good and believable nonetheless. Huston’s character seems a bit over-the-top in the early going but the depth of her character comes to light in the late stages and Huston pulls it together splendidly. And Rogen gives what might be his best performance to date. To be fair, I’m not much of a Rogen fan so I’m far from an expert on his value as an actor. But whereas he was completely outclassed in “Funny People” and pretty much plays the same character in almost every film, he shows a little more strength in “50/50” than he ever has before (with the possible exception of “Knocked Up”). I actually liked him and I haven’t felt that way toward him very often.

But of course, the weight of “50/50” rests almost entirely on the shoulders of JGL and he holds up to the challenge. One of the best compliments I can give an actor is to say that he and his character become one and the same. That’s what JGL does here and that’s why “50/50” succeeds. He envelopes himself into the Adam character and makes his portrayal incredibly believable. It is almost like watching a documentary on a young cancer patient. Adam handles his disease with class and dignity but not without emotion. His outbursts are few but powerful and through them JGL sells the story beautifully. Simply put, this guy is a star and “50/50” serves as the announcement of such to those of you who didn’t already know this to be fact.

“50/50” is honest and at times tough to watch but never purposefully harsh or depressing. In fact, it is generally positive but in a way that isn’t all sunshine and unicorns. It is smart, hilarious, and even touching while all the time remaining respectful of the audience’s ability to relate to difficult circumstances without artificial emotional fishing. It is an excellent film marked by one outstanding performance that deserves the attention received come Award Season.

Grade: A+

I used italics a lot this time around, Brian