2023 Pop Culture Lists

2023 has come to a close and seeing as how I am for some reason obsessed with tracking and archiving basically everything I do, here are my book, TV show/series, and album lists from the past year. (As always, my movie picks have to hold until the end of January after I’ve finally caught up on everything that comes out in the last week of the year and we do our end of year recap podcast.)

BOOKS

My reading goal every year is 52 books. I usually beat that by just a bit but was able to cruise past that goal this year, finishing with 62 (not listed: re-reads and books I read for work). For books, I don’t pay attention to publication year/date the way I do with movies, TV shows, and albums. Sue me. Here’s everything I read in 2023, ranked:

  1. Red Rising Sequel Trilogy by Pierce Brown (Audiobook)

  2. “Piranesi” by Suzanne Clark, Fantasy (Audiobook)

  3. “Something Wicked This Way Comes” by Ray Bradbury, Horror (Audiobook)

  4. “The Seven Husbands of Evelyn Hugo” by Taylor Jenkins Reid, Literary Fiction (Audiobook)

  5. “Nothing to See Here” by Kevin Wilson, Fiction (Audiobook)

  6. “Blood, Sweat, and Chrome” by Kyle Buchanan, Non-Fiction Film (Audiobook)

  7. “A Death in Vienna” by Daniel Silva, Thriller (Audiobook)

  8. “Killers of the Flower Moon” by David Gann, History (Audiobook)

  9. “The Last Ronin” by Kevin Eastman and Tom Waltz, Graphic Novel (Book)

  10. “The Saturday Night Ghost Club” by Craig Davidson, Horror-ish (Audiobook)

  11. “The Confessor” by Daniel Silva, Thriller (Audiobook)

  12. “The Glass Hotel” by Emily St. John Mandel, Literary Fiction (Audiobook)

  13. “Malibu Rising” by Taylor Jenkins Reid, Literary Fiction (Audiobook)

  14. “Pax” by Sara Pennypacker, Fiction (Book)

  15. “The Kill Artist” by Daniel Silva, Thriller (Audiobook)

  16. “Kingdom Come” by Alex Ross and Mark Waid, Graphic Novel (Book)

  17. Murderbot Diaries 1-4 by Martha Wells, Sci-Fi (Audiobook)

  18. “Goldilocks” by Laura Lam, Sci-Fi (eBook)

  19. “In the Lives of Puppets” by TJ Klune, Sci-Fi (Audiobook)

  20. “The Wild Shore” by Kim Stanley Robinson, Sci-Fi (Audiobook)

  21. “The English Assassin” by Daniel Silva, Thriller (Audiobook)

  22. “The Hunger Games: A Song of Snakes and Songbirds” by Suzanne Collins, Fantasy (Audiobook)

  23. “All My Knotted Up Life” by Beth Moore, Memoir (Audiobook)

  24. “Exiles” by Jane Harper, Myster (Audiobook)

  25. “Whispers Underground” by Ben Aaronovich, Fantasy (Audiobook)

  26. “Broken Homes” by Ben Aaronovich, Fantasy (Audiobook)

  27. “Foxglove Summer” by Ben Aaronovich, Fantasy (Audiobook)

  28. “Top Eight” by Michael Tedder, Nonfiction Music (Audiobook)

  29. “Fourth Wing” by Rebecca Yarros, Fantasy (Audiobook)

  30. “The Lola Quartet” by Emily St. John Mandel, Fiction (Audiobook)

  31. “Children of Memory” by Adrian Tchaikovsky, Sci-Fi (Audiobook)

  32. The Thrawn Trilogy by Timothy Zahn, Sci-Fi (eBook)

  33. Distress Signals” by Catherine Ryan Howard, Mystery (Audiobook)

  34. “Starling House” by Alix E. Harrow, Horror Fantasy (Audiobook)

  35. “Dead Water” by CA Fletcher, Horror (Audiobook)

  36. “This Tender Land” by William Kent Krueger, Literary Fiction (Audiobook)

  37. “The Last Enforcer” by Charles Oakley, Non-Fiction Sports (Audiobook)

  38. “Relic” by Alan Dean Foster, Sci-Fi (eBook)

  39. “Calculating the Stars” by Mary Robinette Kowal, Alternative History Sci-Fi (Audiobook)

  40. “Jonathan Strange and Mr. Norrell” by Susanna Clark, Fantasy (Audiobook)

  41. “Frozen in Time” by Mitchell Zuckoff, History (eBook)

  42. “Outland” by Dennis E. Taylor, Sci-Fi (Audiobook)

  43. “Earthside” by Dennis E. Taylor, Sci-Fi (Audiobook)

  44. “Roadkill” by Dennis E. Taylor, Sci-Fi (Audiobook)

  45. “The Wrong Unit” by Rob Dircks, Sci-Fi (Audiobook)

  46. “Blood Meridian” by Cormac McCarthy, Western (Audiobook)

  47. “Here, Now, and Then” by Mike Chen, Sci-Fi (Audiobook)

  48. “The Last Rhinos” by Lawrence Anthony, Science (Audiobook)

  49. “The House in the Pines” by Ana Reyes, Mystery (Audiobook)

  50. “Down the Great Unknown” by Edward Dolnick, History (Audiobook)

  51. “The Substitution Order” by Martin Clark, Legal Thriller (Audiobook)

  52. “No Beast So Fierce” by Edward Bunker, History (eBook)

  53. “Children of the Comet” by Daniel Moffitt, Sci-Fi (eBook)

  54. “Wooly” by Ben Mezrich, Science (Audiobook)

TV SHOWS/SERIES

I thought this was a great year for television. Some of the favorites from years past may have had only “good” or even “middling” seasons in 2023 but there were plenty of excellent new shows and some terrific returns for existing shows as well. I wasn’t sure anything would pass The Last Of Us for me when it wrapped up in March but The Bear season two took a show I really loved in its debut season last summer and LAUNCHED it into “one of the greatest of all time” territory for me. Here’s everything I watched in 2023:

NEW SEASONS

  1. The Bear S2 (Hulu)

  2. The Last of Us S1 (Max)

  3. For All Mankind S4 (Apple)

  4. I Think You Should Leave S3 (Netflix)

  5. Fall of the House of Usher (Netflix)

  6. Poker Face S1 (Peacock)

  7. Silo S1 (Apple)

  8. Shrinking S1 (Apple)

  9. Star Trek: Strange New Worlds S2 (Paramount)

  10. Ted Lasso S3 (Apple)

  11. The Mandalorian S3 (Disney+)

  12. Only Murders in the Building S3 (Hulu)

  13. Daisy Jones and the Six (Prime)

  14. Picard S3 (Paramount)

  15. The Marvelous Mrs. Maisel S5 (Prime)

  16. Beckham (Netflix)

  17. What If? S2 (Disney+)

  18. Afterparty S2 (Apple)

  19. Last Chance U S2 (Netflix)

  20. Dark Winds S2 (AMC+)

  21. Sweet Tooth S2 (Netflix)

  22. Ahsoka S1 (Disney+)

  23. Yellowjackets S2 (Showtime)

  24. Justified: Primeval City S1 (Hulu)

  25. Love and Death (Max)

  26. The Curious Case of Natalia Grace (Max)

  27. The Secrets of Hillsong (Hulu)

  28. Hijack (Apple)

  29. Jack Ryan S4 (Prime)

  30. Muscles and Mayhem: An Unauthorized Story of American Gladiators (Netflix)

  31. The Night Agent S1 (Netflix)

  32. Unstable (Netflix)

  33. Waco: American Apocalypse (Netflix)

  34. The Murdaugh Murders (Netflix)

  35. Escaping Twin Flames (Netflix)

  36. Inside Man S1 (Netflix)

FIRST TIME WATCHES - PREVIOUS SEASONS

  1. For All Mankind S1-3 (Apple)

  2. Star Trek Strange New Worlds S1 (Paramount)

  3. Mythic Quest S1-3 (Apple)

  4. Dark Winds S1 (AMC+)

  5. Bojack Horseman S6 (Netflix)

  6. Jack Ryan S3 (Prime)

  7. Picard S2 (Paramount)

  8. The Flash S1-9 (Netflix)

  9. The English (Prime)

  10. Reboot (Hulu)

ALBUMS

This wasn’t the best music year I’ve ever had; some years I really prioritize listening to new albums and finding new stuff and some years that just falls through the cracks. 2023 was of the latter kind. Still, some of my favorite artists put out new albums this year and I found my way to a handful of new and new to me artists as well. I don’t track every new album I listen to, only my favorites on the year, but I did make a Spotify mix CD of sorts of my favorite new songs, newly discovered songs, and newly relevant songs from 2023 if you’re interested in that sort of thing. Here’s my top ten albums from 2023:

  1. “Folkocracy” by Rufus Wainwright

  2. “Weathervanes” by Jason Isbell and the 400 Unit

  3. “1989 (Taylor’s Version” by Taylor Swift

  4. “White Trash Revely” by Adeem the Artist (actually 2022 but it dropped late in the year and I didn’t get to until January)

  5. “Suburban Legend” by DURRY

  6. “Guts” by Olivia Rodrigo

  7. “Spectral Lines” by Josh Ritter

  8. “The First Two Pages of Frankenstein” by The National

  9. “One More Time” by Blink-182

  10. “Self-Titled” by Zach Bryan

We Loved a Band

The guy next to me is going through it. He’s had a few drinks, sure, more than he or I realized, I think, until he falls into me a few minutes later when he stumbles out toward the bathrooms. But regardless of his level of inebriation, when I glance over at him, leaning forward in his seat while everyone around us stands, eyes closed, head bobbing slightly, I know he’s having a moment. Whatever this song means to him, meant to him at one time, it’s hitting him hard now. 

The couple in front of us in line met at a show in 2006. The guy next to me at the bar went to high school with the lead singer’s cousin. The group down the row once followed the band on a European tour in the early aughts. The dad wandering the aisle with his toddler, wearing matching “WITH LOVE WE WILL SURVIVE” t-shirts, is trying to convey something to his daughter that she can’t understand now but may grasp later in life. 

We are all here because we loved a band. 

There are millions and millions of bands and ostensibly somewhere there is someone who loves each and every one of them, even Nickelback and Florida Georgia Line and Culture Club. If I asked you who your favorite band is, maybe you have a go to answer right on the tip of your tongue. Or maybe you say, “Oh wow, there are so many” and then you rattle off a few names. Or maybe you answer but your answer doesn’t feel right even as you say it and a few minutes or hours later you feel the need to correct yourself; “Actually, my favorite band is…” 

And maybe you tell the truth when I ask you your favorite band. Or maybe you say something that feels safe because you’re not sure how I feel about your real favorite band. Or maybe you tell me your favorite mainstream band but your real favorite band is one you’re sure I’ve never heard of. 

I have loved and continue to love a lot of bands in my life. 

I am not now nor have I ever been cool or ahead of the curve, especially when it comes to music. I like to think I know a thing or two about a variety of bands and musicians, I’m very interested in music history, and I have somewhat eclectic taste (though lately it’s been boiled down to Dad Rock and Sad Girl Music more than anything else). But I’ve never been the guy who tells you all about this new little indie band you’ve never heard of and I usually roll my eyes at the folks who do. My favorite band of all-time is Nirvana. If I’m being totally honest, I think my favorite musician right now is Taylor Swift. I’m good with that. But there is something special about loving a band that no one else knows about. 

And yes, that sentiment has been poisoned by gatekeepers and losers and the guys who own the record store in Hi Fidelity; it has become something annoying at best and toxic at worst. But for every “I bet you’ve never even heard of this band” Guy or “Oh you like Band X, huh? Name five of their songs right now” Gal, there’s someone who holds a small band, a local band, an underdiscovered band, tightly, proudly, like they’ve unearthed some hidden treasure that’s only their own. This is especially true of the bands you discover in your youth. 

I grew up in the earliest stages of internet music, of Napster and downloading singles, of mix CDs (not tapes), and the CD burner on my family’s computer might’ve been my best friend. This was a great time for the burgeoning music scene in Dallas-Fort Worth. I know now that this was an era in which just about anyone with a guitar and a demo tape could find a record deal; the industry was handing out contracts like fliers on the windshields in a parking lot. But at the time and in the moment, it felt like my friends and I were a part of something. To see a show and then later hear that band on the radio, to see their names on the charts, even, was a kind of high; “I saw them when they were the fourth billed band at a 70 person club!” 

Flickerstick was one of my favorites from this scene. I’m not sure how many times I saw them over a three or four year period but “a handful of times” feels fair enough. Flickerstick existed somewhere between post-grunge alternative and pop punk, the two dominant forms of rock music at the time. I would put them in the “indie rock” genre now but I didn’t really have that terminology in the moment. Regardless, they were a little different from most of the other bands I listened to at the time and that’s part of what drew me to them so strongly. They had a great album, “Welcoming Home the Astronauts”, and a dynamic lead singer in Brandin Lea and their participation (and victory) in VH1’s “Bands on the Run” gave them a mainstream boost. They seemed destined to cement themselves as one of the faces of DFW music. 

Things didn’t work out that way, though. Most bands are a fragile, finite thing. Flickerstick was falling apart almost from the start and when their sophomore album, “Tarantula”, disappointed fans and the record label alike, the writing was on the wall. Wikipedia will tell you the band was together from 1997-2009 but in reality it was more like 2005 when guitarist Corey Kreig left the band. I don’t know exactly when I saw them last but I remember feeling let down as I walked out of the last show, knowing that this band, like so many others from my youth, was over.

A local band isn’t the same as a mainstream, big band. The big bands break up and retire only to reunite or unretire all the time. Elton John has been on his farewell tour for half a decade. The Eagles hated each other so much they vowed to only get back together when hell froze over…which is exactly what happened 14 years later. We are all holding out hope that one day Robert Plant and Jimmy Page will be able to be in the same room together for more than 20 minutes so we can finally get that last Led Zeppelin tour we so richly deserve despite all indications that this will not, in fact, ever happen. 

A small band, though, a local band, when they break up, the best you can hope for is a “for one night only” kind of thing years down the line. The demand is smaller, the money is lesser, the members leave music behind to sell insurance and raise families. When those bands die, they actually die.

When a band you love comes to an end, you have to either hold on tightly to the memory of the thing you loved or gradually let it go. I took the latter path with Flickerstick. There seemed no real chance for a reunion or a 2.0 version of the band. Eventually, I moved from listening to “Astronauts” in its entirety on a regular basis to catching a couple of my favorite songs (“Coke”, “Beautiful”, and “Direct Line to the Telepathic”) when they popped up on my iPod to never hearing their songs because of their absence from streaming platforms. When I migrated my meticulously crafted playlists to Spotify, discovering that Flickerstick wasn’t there caused me legitimate grief but was just the last step in the grieving process. The band was relegated to “hey remember when…” conversations with my best friend who, it turns out, was also a huge Flickerstick fan and who had been at many of the same shows as I had all those years ago. 

And then last year, a friend sent me a link to a small vinyl pressing of “Astronauts” a local record label was doing. The record had sold out and I’d missed it and I was devastated. (I ended up winning the very first copy of the pressing, signed by the band, in a raffle a few months later and it is the prize of my record collection.) But not too long after, old Flickerstick concert videos started popping up on YouTube. Then the albums arrived on Spotify. Then a pre-order for another pressing of the record. And then the “for one night only…” announcement I had hoped for arrived on Instagram. 

My aforementioned friend and I snapped up tickets to this Flickerstick reunion show as quickly as possible and now, here we sit (sit, not stand, because we are old now and general admission and pit tickets are for our younger selves). We are surrounded by a sea of late-thirtysomethings who are, like us, squinting to see the seat numbers in this dimly-lit venue. We are basically all wearing black t-shirts and Nike Killshots, the official concert uniform of our generation. We all have ear plugs, although they would’ve done us much more good back in our teens before Flickerstick and Bowling For Soup and The Nixons destroyed our earbuds. We are all, I realize as the opening chords to “Smile” kick in, here for a collective, cathartic experience, maybe even closure, on a simpler, easier era of our lives and the joy we got from something that for just a minute felt like our very own special thing. 

We are here because we loved a band. 


2021 Oscar Ballot

The Academy Award nominations will be announced tomorrow, with the ceremony set to commence at the end of March. This is far too long to wait for the ceremony, I agree; moving a full quarter into the following year before we honor the best of the previous year is very stupid but unfortunately, The Academy has yet to ask my opinion. I stand ready to give them said opinion should they ever call. 2021 was a weird year for movies because 2021 was a weird year overall. Many of the movies we looked forward to (at least those of us who are movie nerds deeply invested in the film release calendar each year) were disappointing and the box office was a mess. Even still, I saw a big bunch o’ movies in 2021 because that’s what I do. Overall, I liked what the year had to offer. And one (of the very few) positive byproduct of the pandemic is the accessibility of more and more quality films on the various streaming services. I love movie theaters and I worry about the future of the industry but I won’t lie and tell you that I don’t like having the option to watch the new big movie in my home office at midnight rather than having to find time to go to the theater for each and every movie.

As always, I don’t have an Oscar vote but that doesn’t stop me from putting together a fake ballot every year. You’ll find said ballot for 2021 below, with my five (or ten) nominees for each of the eight “big” awards (my winner in bold), as well as the movies and performances that just missed the top five. 

I will also say that, while I never set out to have a ballot that lines up with the views of the Academy and often have my own choices, I’m usually in the same ballpark as the powers that be in the movie world. In a normal year, there might be a movie or two that gets some praise I don’t agree with or that I love but the Academy doesn’t. This year, however, there are a number of movies and performances that are stacking up nominations across the award circuit, that I very much didn’t jive with. I found Belfast to be a bit tedious and underwhelming, couldn’t get into Tick Tick Boom, and borderline hated both Don’t Look Up and Being the Ricardos, all of which are seemingly guaranteed to feature prominently when the nominations come down tomorrow. To each their own, of course, but I can’t feeling like some of these movies are getting award consideration because we expected them to be great and not because they actually are. 

ORIGINAL SCREENPLAY
Paul Thomas Anderson, Licorice Pizza
Wes Anderson, The French Dispatch
Fran Kranz, Mass
Mike Mills, C’mon C’mon
Michael Sarnoski, Pig
Final Cuts: Encanto (Charise Castro Smith, Jared Bush, and Byron Howard), The Harder They Fall (Jaymes Samuel and Boaz Yakin), Swan Song (Benjamin Cleary)

This category is mostly a toss-up for me this year, with a big jumble of very good movies made from very good scripts but nothing that absolutely must win for me. Pig was a big surprise and much of that is due to Sarnoski’s subtle writing and direction. Kranz put forth one of the more actor-forward scripts I’ve seen in a while and those actors shined because of it. Mills’ dual conceits, a sister in need leaves her child with her estranged brother and the brother’s profession, work seamlessly together. And PT Anderson delivered perhaps his most likable and accessible script in years. I’m giving Wes Anderson the edge here simply because I enjoyed his film the most and the vignette storytelling works perfectly for Anderson’s many quirks.

ADAPTED SCREENPLAY
Jane Campion, Power of the Dog
Joel Coen, The Tragedy of MacBeth
Sian Heder, CODA
David Lowery, The Green Knight
Jon Spaiths, Denis Villeneuve, and Eric Roth, Dune
Final Cuts: The Lost Daughter (Maggie Gyllenhaal), Nightmare Alley (Guillermo Del Toro, Kim Morgan), West Side Story (Tony Kushner)

Of the two scripted categories, Adapted was a bit stronger for me this year (after a few years of the inverse) and thus, I had a hard time choosing. Green Knight didn’t fully connect for me the way I have come to expect with a Lowery movie but I think he deserves credit for translating a 14th century poem into a beautiful film. I’m always interested when Campion pops up with a movie (since it happens so sporadically) and it is the expert structure of the script that makes the twist in the final moments of Power work so well. Coen’s adaptation of the Scottish play owes much of its success to the set design and acting but tightening up MacBeth without sacrificing even an ounce of its story and power is an achievement. And, as I’ve said a million times, Dune is an unfilmable book that was translated and adapted much better than I could have ever dreamed. For me, Heder gets the win by a nose for assembling one of the most joyous, heartfelt films of the decade. 

BEST SUPPORTING ACTOR
Bradley Cooper, Licorice Pizza
Idris Elba, The Harder They Fall
Mike Faist, West Side Story
Jason Isaacs, Mass
Troy Kotsur, CODA
Final Cuts:
Ciaran Hinds (Belfast) Kodi Smit-McPhee (Power of the Dog), the male cast of The French Dispatch

This is always the deepest field and 2021 was no different as my “shortlist” was something like 30 lines long. Cooper is only in Licorice for maybe five minutes but he’s like a firecracker set off in the dead of night and his energy is contagious to the rest of the movie. The Harder They Fall is the coolest movie of the year and Elba is the perfect villain for the movie. Faist was lively and charismatic, making West Side Story’s male lead, Ansel Elgort, look silly by comparison. Isaacs is the lead for much of Mass and delivers some of the film’s most gut wrenching moments. But I don’t think I’m ever going to forget the strength and grace of Kotsur’s performance as the trying-to-figure-it-out dad in CODA nor the moments he shares with his on-screen daughter, Emilia Jones.

Note: I had Jason Segel’s performance in Our Friend as a lock for the five spots before realizing that he is ineligible since the movie technically debuted in 2019 (though it wasn’t available for non-festival goers until 2021). Segel rules and deserves more acclaim for his dramedy work.

BEST SUPPORTING ACTRESS
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Anne Dowd, Mass
Naomi Harris, Swan Song
Marlee Matlin, CODA
Final Cuts: Rebecca Ferguson (Dune), Frances McDormand (The French Dispatch), Cate Blanchett (Nightmare Alley)

This was a strong, deep field this year, rivaling the Supporting Actor group in a way that doesn’t often happen. Good work, Hollywood! Buckley, as the younger version of Olivia Colman, matched one of the greatest living actresses wonderfully and set the stage for her older counterpart beautifully. Harris drew many more eyes in No Time to Die and (unfortunately) Venom: Let There Be Carnage (I won’t hold that trainwreck against her here, although…) but her soft, quiet performance in Swan Song rivals that of her Oscar-nominated turn in Moonlight. At least in terms of the performance side of things, DeBose was the heart of West Side Story for me in a career-altering way. And from August on, I had Matlin penciled in as a lock to win this category for her magnificent turn as the change-resistant mother in CODA. It’s the last ten minutes of Mass, however, where Dowd jumps to the top of the race for me, her character’s quiet, barely contained resolve, finally bubbling over into an admittedly showy but nonetheless harrowing monologue.  

BEST ACTOR
Mahershala Ali, Swan Song
Nicolas Cage, Pig
Benedict Cumberbatch, Power of the Dog
Will Smith, King Richard
Denzel Washington, The Tragedy of MacBeth
Final Cuts:
Bradley Cooper (Nightmare Alley), Jonathan Majors (The Harder They Fall), Joaquin Phoenix (C’mon, C’mon)

2021 was a banger for leading performances (both male and female). It was very, very hard to cut the category down and leave out Phoenix, Majors, Cooper, and more. Swan Song is somehow (completely unfathomable to me) Ali’s first lead performance in a movie and he comes in strong with a dual-role. Cumberbatch was less showy than some of his contemporaries here, reminding me of his range and talent outside of the Marvel movies and Sherlock. I didn’t love King Richard overall but it was soooooo good to see Smith do something worthwhile and his work here is excellent. I’ve never been the biggest Cage fan but I think Pig contains his best performance in at least 20 years, if not the best of his entire career. But, for me, the best of the bunch (and maybe by a long stretch) is Denzel letting everyone know that he is, still, after all, Denzel Washington. He dominates MacBeth in a way that very actors could do in a role that would be career-defining for anyone with a lesser resume. 

BEST ACTRESS
Jessica Chastain, The Eyes of Tammy Faye
Jodie Comer, The Last Duel
Alana Haim, Licorice Pizza
Emilia Jones, CODA
Rachel Zegler, West Side Story
Final Cuts: Stephanie Beatrix (Encanto), Olivia Colman (The Lost Daughter), Kristen Stewart (Spencer)

As mentioned above, this was a great year for lead performances. There are a couple of actresses I left off my ballot who might’ve won my (fake) vote in a lot of years and picking a winner here is almost a five-way coin flip. Chastain has had some weirdly bad performances of late but absolutely crushes every aspect of Tammy Faye Bakker. The Last Duel wasn’t my jam (at all) but Comer, already a TV super star, outshined her male counterparts, (Matt Damon, Adam Driver, and Ben Afflect) by leaps and bounds. Zegler is a star in the making and perfect in West Side Story. Jones brings such honesty to CODA, centering the movie and giving it its backbone even while occasionally being overshadowed by her supporting cast. In a toss-up, though, I’m going with the most surprising performance which, for me, was Haim. When Pizza was announced, I could not have guessed that Alana would be the star of the movie (considering she’s not even the star of her own band) but she gave us one of the most fun, comedic, and poignant performances of the year.

BEST DIRECTOR
Joel Coen, The Tragedy of MacBeth
Sian Heder, CODA
Jaymes Samuel, The Harder They Fall
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Final Cuts: Paul Thomas Anderson (Licorice Pizza), Jane Campion (Power of the Dog), Nia DaCosta (Candyman)

I struggled greatly in trying to cut my list down to eight and then the final five. I didn’t set out to do this but it turns out this is a great mix of some of the biggest names in filmmaking and some of the brightest up-and-comers and I love that. Heder made my favorite movie of the year and the one that melted me into a large puddle of tears. Samuel made the coolest movie of the year. Coen adapted an iconic play in tremendous fashion. Villeneuve made the unfilmable film and (if I’m being honest) I’m hedging my bet here a bit, fairly or unfairly, in expecting Dune 2 to be even stronger. I picked Spielberg because I love him dearly (#SpielbergUp #SpielbergStrong #SpielbergNation) and, in much the same way as Denzel did with MacBeth, I felt like West Side Story was Spielberg reminding us that he’s Steven Spielberg. It’s a masterclass in filmmaking from a technical and narrative standpoint and honestly, I’m just really happy to see that my favorite filmmaker still has his fastball. So he gets my vote. Sue me. 

BEST PICTURE
C’mon, C’mon
CODA
Dune
The Harder They Fall
Licorice Pizza
Pig
Power of the Dog
Spider-Man: No Way Home
The Tragedy of MacBeth
West Side Story
Final Cuts: Candyman, Encanto, The French Dispatch, Mass, Swan Song

I drew the line for Best Picture consideration right at 20 movies, some big and accessible, some small and underseen. As mentioned, I don’t know that there were any truly great movies in 2021 but the depth of “good to very good” movies made it tough to narrow it down to ten. I’ve mentioned almost all of these movies herein so I won’t go on about each of them. Spider-Man: No Way Home is likely to be the “controversial” choice here compared to the rest, considering its box office domination and mainstream success. But, for me at least, it’s not here because it was the biggest movie of the year, it’s here because I felt it was also one of the year’s best and for all the complaints about the Disneyfication of our lives, I want to appreciate and honor the studios when they make an ambitious blockbuster, like Avengers: Endgame or No Way Home. CODA gets my Best Picture vote, unsurprisingly; I cannot overstate how beautiful, heartfelt, and joyful this movie is and how much I hope people will see it. In a tight race with no true leader in the clubhouse, “favorite” is my go-to tiebreaker so Coda it is.

I Read Some Books! 2020

Some years ago, I realized that I wasn’t reading much. Like, I was big time not reading much. I wanted to change that so I started reading much. (Terrible sentences, I know.) And, as is my nature, once I was reading much (I’m just going with it now, I’m sorry), I continued to read much. 2020 was, I believe, the third year in a row in which I completed 52 books. The vast majority of them were consumed through the audiobook format but reading is reading no matter how you do the reading in my book. As much as I like reading, I like making lists even more so here is my list of all 52 of my 2020 reads ranked from worst to first. Two of the books are combined because they are part of the same series and I read them back-to-back (and they’re of about the same general quality) and one of my reads, “Ready Player One”, is not included herein because I have read it several times. 

50. Alice Isn’t Dead - Joseph Fink (Audiobook)
One of the first books I read this year and the only one I’d mark down as actually a bad book. The best thing I can say about “Alice” is it’s short. Otherwise, my “never quit in the middle of a book” policy would’ve been put to the test.

49. Of Dice and Men - David M. Ewalt (Audiobook)
I enjoyed the parts of this book that concerned the history of Dungeons and Dragons and its creators. Less so the parts concerning Ewalt’s own on and off history of playing the game. I generally appreciate an author tying his or her own story to the subject matter in a book or article but felt that element fell flat here.

48. Console Wars - Blake J. Harris (eBook)
Harris’ tome on the battle between Nintendo and Sega in the 80’s and 90’s was well-sourced and thorough. Unfortunately, it was also incredibly droll. I’m not a prolific reader of business-related books but “Console” in particular was laborious to get through in parts and dragged on and on too often. 

47. What Should Be Wild - Julia Fine (Audiobook)
It turns out that I read several modern fairy tale-esque books in 2020, although I certainly didn’t set out to do so. The set up for “Wild” was decent and then there was a solid two-hour listening stretch in which I thought the book really found its groove but ultimately it settled back into “this is fine” territory and became mostly forgettable. 

46. Solar War and Lost Colony - Albert G. Riddle (Audiobooks)
I read these books back to back, having read the first in the series (“Winter World”) near the end of 2019. Ultimately, I felt the first book was much better than the follow ups and that Riddle ran out of steam on his story early in “Lost Colony.” This pair was enjoyable enough but I think the trilogy as a whole would’ve been better served as one well-edited book instead of a series. 

45. How to Defeat a Demon Knight - Andrew Rowe (Audiobook)
The first (of several!) free Audible titles that were added through the course of the year, “Demon Knight” had a fun concept that lost my interest somewhere in the second act. I think it was somewhat stuck between a children’s book and a YA book and ultimately needed to pick a lane. Still, it was fun enough and I’d be interested in Rowe’s future works. 

44. Nut Jobs - Marc Fennell (Audiobook)
A big feature in the free title section of Audible is a large collection of true crime books. I’m not big on Murder Books revolving around grisly deaths but I do love a good heist story which accounts for a handful of entries on this list. “Nut” involves the theft of, you guessed it, trucks full of freshly harvested nuts and it made for a fun, albeit too light, read. 

43. Sisters - Dervla McTiernan (Audiobook)
The weakest of the three McTiernan’s I read this year, “Sisters” is a fine add-on short read to the more substantial stories of Cormac Reilly, McTiernan’s Irish detective. This one BARELY qualifies as a book given its short length but I listened to it back to back with an even shorter book in this series that I didn’t add to my list so I feel like the two combined equal one book. Sue me. 

42. Terminus - Peter Clines (Audiobook)
Clines is not super consistent but he is quite prolific and I like the semi-connected world he’s created with the Threshold Universe, even when they are often uneven. “Terminus” is, I think, probably the worst of the series thus far but it had some strong moments and some solid characters that made it easy to stick with. 

41. Nothing More Dangerous - Allen Eskens (Audiobook)
I read Eskens’ breakout book “The Life We Bury” a couple years ago and liked it quite a bit. “Nothing” is a more relevant, significant story but a lesser book overall, I think, but it is apparently a book he’s had on the backburner for years and I respect that he went back to write it before carrying on with the series he launched with “Bury.”

40. Heist - Jeff Diament (Audiobook)
Another heist book from Audible, this one involved a semi-famous Loomis Fargo theft in the 90’s by a group of very dumb criminals. This book was adapted as Masterminds, a movie with Zack Galifianakis and Kristen Wiig that no one saw (and rightly so). The biggest take away from this book is how easy it would’ve been for this crew to pull this off had they only been smart enough to just keep their mouths shut. When I pull my heist, no one will ever catc- I’ve already said too much. Disregard. 

39. The Big Heist - Anthony DeStefano (Audiobook)
Oh wow, another heist book! This one concerns the Lufthansa heist of 1978 perpetrated by members of the New York City branch of the mob. If you’ve seen Goodfellas, this is a key part of the plot and much of the information regarding this story comes from Henry Hill (Ray Liotta), the central figure in the film. It’s a very well-researched and sourced book but it also dragged far more than I expected for an eight-hour read about a mob heist. I thought DeStefano perhaps went too long on some of the ancillary details and could’ve streamlined it a bit more. 

38. Billion Dollar Fantasy - Albert Chen (Audiobook)
I think my fantasy football days are over but I have spent a ton of time playing fantasy sports over the years. “Billion Dollar” focused on the rise of daily fantasy sports and the companies, like Draft Kings and Fanduel, that brought the game to the forefront. Nothing spectacular but an easy, enjoyable read overall. 

37. Super Mario - Jeff Ryan (Audiobook)
A much less comprehensive, but much less tedious, read than “The Console Wars.” This one focused more on Mario the character and the games he’s featured in than on the entire history of Nintendo and I think that targeting helped the writing as well as my own listening/reading. 

36. The Long Way to a Small, Angry Planet - Becky Chambers (Audiobook)
There are some real Firefly/Serenity vibes to this book and I think Chambers created some fun characters and settings. The issue for me was the plotting which dragged heavily in places and tried my patience more than I would’ve expected from an accessible work of science fiction like this is. “Angry Planet” is a 14-hour book that I probably would’ve wanted to be ten hours. I think that will ultimately hold me back from continuing the series which is a bummer given that, again, I really dug the universe and the characters therein. 

35. Ready Player Two - Ernest Cline (Audiobook)
“Ready Player One” is one of my favorite books if not my actual favorite. I’ve re-read it a few times and always thoroughly enjoy the read while I understand why it doesn’t work for some. I expected “RP2” to be a letdown in comparison and tempered my expectations before reading but was still mildly disappointed. I think the book is fine and will make a good movie but I can’t say I’m excited to re-read this one anytime soon. 

34. The Scholar - Dervla McTiernan (Audiobook)
“The Scholar” is a bit of a drop off from the first Cormac Reilly book in this series (see below) but still had an interesting premise with solid execution. I really like the reader of these books (Aoife McMahon) and I think her voice adds something to the overall experience. 

33. Polar Vortex - Matthew Mather (Audiobook)
Can I confess to you, dear reader, that I am very interested in plane disappearances? I’m pretty sure that’s the main reason why I picked this one up. I thought this was going to be more dime store sci-fi than the mystery/survival fare it turned out to be. But still, it was a light, harmless read that held my attention in some places and sank into the background of my office hours in others. Obviously if you’re as interested in plane disappearances as I am, you stopped reading after you saw “plane disappearances” in the first sentence and have already begun reading this one. I get it. 

32. Movies (and Other Things) - Shea Serrano (Book)
I love Serrano’s writing style and I have enjoyed his previous books, “The Rap Year Book” and “Basketball (and Other Things)” quite a bit. In fact, “The Rap Year Book” was my number one favorite read of 2017. This one, though, didn’t hit the mark for me quite as much as his previous efforts. I think it came down to the fact that our movie tastes do not align very often and I found myself gritting my teeth through his praise of movies I think are terrible. I’m sure he would say the same about my movie tastes if I were to ever publish a book. 

31. Mr. Penumbra’s 24-Hour Bookstore - Robin Sloan (eBook)
This is another book that I thought was going to be a bit more sci-fi than it turned out to be but still enjoyed nonetheless. It’s a bit bumpy; in fact, I think I recommended this to a friend when I was about half-way through the book then retracted my recommendation as I continued to read then ultimately re-instated said recommendation. So, in essence, I quite enjoyed the first and third act and struggled with the second. 

30. Moon Over Soho - Ben Aaronovitch (Audiobook)
I read the first book in this series (“Rivers of London”) last year on the recommendation of a like-minded friend and enjoyed it quite a bit. Then I moved away from the series and forgot about it until that same friend mentioned the series again, at which point I read this book and once again quite enjoyed it. This series (much like “The Invisible Library” below) scratches the Neil Gaiman itch even if they are much more pulpy and less Literary with a capital L. It’s all magic and jazz and the seedy streets of London and I look forward to (apparently) reading one a year but no more than one a year for the rest of my life. 

29. Force of Nature - Jane Harper (Audiobook)
I’m not a mystery reader but a few mystery titles find their way into my eyes or ears each year, usually when I’m looking for a semi-short, easy read coming off of a longer/more serious piece of nonfiction. Such was the case with “Force of Nature”, which I read right after completing “How to Be an Anti-Racist” (see below). The book served as a pleasant and much needed decompression. I’d say it’s a bit lesser than the first book in the series, “The Dry”, which I read a year or two ago, but I like Harper’s style and find the reader’s voice (Stephen Shanahan) to be soothing. 

28. The Lesson - Cadwell Turnball (eBook)
“The Lesson” is set primarily in the Virgin Islands a few years after an alien occupation that seems peaceful to the outside world but which the locals know to be much more dangerous. Turnball took a very interesting, nontraditional look at alien invasion and worked in subplots regarding systemic racism and slavery quite well. I really, really loved this book for a while but at a certain point it sort of lost the plot for me and it didn’t think it stuck the landing. But Turnball is a name I’ll be watching in the future. 

27. How the Internet Happened - Brian McCullough (Audiobook)
There are some non-fiction subjects about which I want the full story on every branch of the tree. I’ll read just about any book on basketball, for instance, and the more focused the story is, the better (see below at least three times). On some subjects, however, a broad strokes approach is preferred, as is the case here. I’m sure there are superior tomes concerning every tiny corner of the first decade of the internet’s existence but “How the Internet Happened” did a good job of hitting all the high notes, some of which I knew and some I didn’t, without ever bogging down too much on any one person, website, or trend. It’s a solid read if you want “The Internet 101” course. 

26. Victory Machine - Ethan Sherwood Strauss (Audiobook)
As mentioned above, I am a very willing reader of virtually any basketball book that hits the market. “Victory Machine” was the least of those reads this year but still brought forth quality information about a team (the 2015-2020 Golden State Warriors) that dominated the NBA and much of the media coverage surrounding the league. There wasn’t a ton of stuff I didn’t know coming in but I dug Strauss’ inside man look into the inner workings of a dynasty.

25. The Ruin - Dervla McTiernan (Audiobook)
The first of McTiernan’s Cormac Reilly series is also the best of the bunch so far. Again, mysteries aren’t really my favorite genre but this series in particular hit the mark for me and held my attention throughout. Reilly is a solid character and McTiernan uses him quite well. The follow ups were a bit weaker in my mind than “The Ruin” (as you can see above) but I’ve already got the next in the series queued up for an early 2021 reading and expect to go back to the well as long as McTiernan wants to keep the ball rolling. 

24. The Invisible Library - Genevieve Cogman (Audiobook)
A recommendation from a friend, “Library” is light fantasy with a well-thought out world and a compelling protagonist. I like series’ like this that are fun and engaging but that don’t require me to immediately run out and read the next book in the series. I’ll step back into this universe at some point this year but I don’t think I’ll need a refresher on the events herein and I appreciate that simplicity. 

23. The Adventurer’s Son - Roman Dial (Audiobook)
Definitely not a fun read, “The Adventurer’s Son” chronicles the author’s quest to find his missing son. As the book goes on, it begins to feel less and less likely that he will be found alive and the narrative becomes more about closure than anything else. I thought the actual writing was only so-so but I greatly appreciated the story told and the importance of the book to Dial. Without spoiling the book, I’ll say that at some point I realized I needed this story to have an ending, even a sad ending, and was thankful that ultimately there was a definitive conclusion. 

22. Devolution - Max Brooks (Audiobook)
Brooks’ last book, “World War Z”, is a favorite of mine and I really love the way Brooks uses the oral history medium to tell a fictional story. “Devolution” revolves around Big Foot instead of a zombie outbreak and while I don’t think it’s anywhere near as refined as the previous effort, it was a fun read and the audiobook made great use of a full voice cast. 

21. Black Planet - David Shields (Book)
This is probably the most obscure read on my list this year; I’m not even sure if the book is still in print. A friend of mine recommended “Black Planet” and loaned me the book based on our shared infatuation with the mid-90’s Seattle Supersonics. This is less a sports book, though, and more a cultural ponderance mixed with a memoir (which is one of the more pretentious sentences I’ve ever written, sorry). Shields’ research-based approach to things we don’t typically look at scientifically was very interesting.

20. Range - David Epstein (Audiobook)
One of the first books I finished in 2020, “Range” stuck with me for the bulk of the year, standing out as one of my more unique reads in a sea of sci-fi, basketball, and fantasy. Epstein has a very strong writing voice and his curiosity about the subject (how developing a well-rounded skill set during our developmental years is often much better than focusing on one thing at an early age) came through in the reporting, which gave the book much more life than I expected. 

19. Call of the Wild - Jack London (Audiobook)
I’ve read this one before but it had been many, many years and I didn’t remember much of the story so we’re counting it as a new read, which took place the week before the movie came out in February (remember movies?). “White Fang” may be London’s best work but “Call of the Wild” is, to me, his most important work and the one that best captures the spirit of adventure and the allure and beauty of the natural world.  

18. The Ickabog - JK Rowling (Audiobook)
I’ve not enjoyed Rowling outside the “Harry Potter” books but “The Ickabog” was a nice, pleasant return to form. Occupying the middle of the three modern fairy tales I read in 2020 (“What Should Be Wild” above and “Echo” below), “Ickabog” reads like a slightly more mature version of “The BFG” with interesting young characters and an excellent narration done by Stephen Fry. 

17. The Warehouse - Rob Hart (Audiobook)
Last year I read a book called “FKA USA” that revolved around the evils of a big bad company that was a stand-in for Amazon, Facebook, etc. It was not very good and got muddled in its attempts to worldbuild to an extreme level around a subject matter that was already very familiar. Hart’s narrative was much closer to our current reality which made the events of the book feel more significant and grounded. I liked its dual-narration set up and seeing the two main characters move toward each other through the story from opposite ends was quite engrossing. 

16. Good Omens - Neil Gaiman and Terry Pratchett (Audiobook)
Friends, readers of this space, and listeners of my podcast alike know of my love for Neil Gaiman but I hadn’t worked my way through his entire bibliography until 2020 when I knocked out the remainder of his books, beginning with “Good Omens.” This was a very fun read and I was very impressed with the way Gaiman and Pratchett handled controversial material. The audiobook featured an excellent reader, too, (Martin Jarvis) which always helps. I’ve heard the TV adaptation with Michael Sheen and David Tennant is very good as well but I probably will never watch it because Michael Sheen has a very punchable face and it dominates my every thought when I see him on screen. 

15. Where the Crawdads Sing - Delia Owens (Audiobook)
I missed the boat on this one in 2018 when literally everyone in the known world read it but ultimately I found it to be a great read with a compelling, sympathetic protagonist. There were parts of the non-linear storytelling I liked more than others but all told, I think it all came together quite beautifully. And, while obviously I won’t spoil the ending here in case you’re the one person in my circle who hasn’t yet read the book yourself, the last chapter of the book propelled “Crawdads” from a good book I enjoyed to a very good book I couldn’t forget. 

14. Tanking to the Top - Yaron Weitzman (Audiobook)
I’ve mentioned previously my love for sports books and basketball books in particular. This one, concerning the Philadelphia 76ers and their quest over the last decade to be as bad as possible in order to eventually become good, was one of the more well-reported I’ve read in the genre in quite some time. I enjoyed reading “Victory Machine” (see above), there wasn’t too much in the book that was new or previously unknown to me. “Tanking”, though, was rife with inside information and interviews I hadn’t heard before and Weitzman did an excellent job of putting it all together into an insightful, engrossing read. 

13. Dune - Frank Herbert (Audiobook)
In the 9th grade, I picked this book for a research paper and presentation in my English class. No matter how I tried, I could not get through the first 100 pages and ultimately, I had to switch to a different book (and also, let’s be real, I was lazy and I had read “Brave New World” previously and knew I could write the paper easily; the teacher never should’ve let me get away with this, frankly). Since then, I have picked up and attempted to dig into “Dune” at least three more times, all efforts that met the same failure. It’s so dense, y’all. But with the movie adaptation supposed to make its way into theaters this fall (RIP), I finally forced myself to get through it in preparation. It’s very good! I have no idea if it is even remotely filmable but the book itself is good and I understand its acclaim even if it was a struggle, in parts, to get through. I highly recommend the audiobook; it helped me tremendously and the full cast approach served the material quite well. 

12. The Sandman - Neil Gaiman (Audiobook)
Previously Unread Gaiman Number Two of Three on my list, I’ve looked into the “Sandman” graphic novels previously but never had the opportunity to dig in. In the middle of 2020, Audible put together an exclusive collection of some of the series into audio form with a full cast (featuring James McAvoy as The Sandman) and I truly love the format so much. It has a radio play vibe, complete with a short theme song-like intro for each comic in the series (ten in total) and it fit this series so well. My complaints with this book are, number one, that at least one of the stories herein was so dark as to become uncomfortable to listen to, and number two, because of the nature of the project, it doesn’t really have an ending and the last story in the collection is probably the worst of the bunch so it leaves you on a semi-sour note. But overall I was so impressed with the production value and the way the stories lended themselves to this medium and I can’t wait to listen to volume two in the future. 

11. Twilight of the Gods - Steven Hayden (eBook)
Hayden’s last book, “Your Favorite Band is Killing Me”, is one of my all-time favorites. He’s one of the best voices on rock ‘n roll going right now and I dig the way in which he interjects personal history and anecdotes into his reporting. “Twilight” focuses on the creation and subsequent radio domination of the classic rock genre with Hayden digging into the rock legends of the 60’s and 70’s and how classic rock has progressed (or stagnated) over the decades. I thought he did a great job of working through some of the bigger issues with the genre as a whole (particularly its lack of racial diversity and the sordid history of some of the bigger names in rock) while also appreciating the music for what it was and is. 

10. Raised in Captivity - Chuck Klosterman (Audiobook)
I’m in the bag for anything Klosterman writes but I like him best in essay and short story form. This collection of shorts showed off his range tremendously but also really highlighted his strange sense of humor which I adore. If I have a criticism, it’s that the first story, about an eccentric high school football coach whose players go on to tremendous success in a variety of fields, is one of the best things Klosterman has ever written and thus the rest of the book is never quite able to live up to the collection’s intro. 

9. Warbreaker - Brandon Sanderson (Audiobook)
I’ve heard great things about Sanderson’s works of sci-fi and fantasy over the years but to be honest, I’m often hesitant to jump into a series like this, despite how much I typically enjoy the genres, because I know it will take up so much of my reading time. “Warbreaker” was a selection in one of Audible’s sales last year and it was billed as somewhat of a standalone within Sanderson’s universe. That is true, it is a book that you can read without any knowledge of the universe but “unfortunately” I enjoyed it so much that I’m definitely going to be digging into more of Sanderson’s work in the coming months. “Warbreaker” includes some of the best worldbuilding I’ve seen in a while and compelling characters.

8. The Office Oral History - Andy Greene (Book)
I love “The Office” and I love a good oral history so this one was right up my alley. Greene covered everything from the inception of the show to the series finale through interviews with everyone from Steve Carell to the cameramen. Sometimes the mistake in an oral history is including too much but Greene and his editors did an excellent job of making sure this book was thorough but well-paced. I also loved the structural idea of inserting shorter chapters covering some of the most memorable episodes of the show in between the longer chapters covering each season and key events in the show’s history. 

7. Three Ring Circus - Jeff Pearlman (Audiobook)
I wasn’t totally sure I was going to read “Circus”, which covers the LA Lakers in the Shaq-Kobe era from 1995 to 2005, despite my obvious connection to the material and the fact that Pearlman is one of the best authors in the genre. Like a lot of people, I get Laker Fatigue very easily and to be honest, I wasn’t sure the book would shed much light on a decade of basketball I am already very familiar with. But the book generated a ton of buzz and ultimately I gave in to my basketball jonesin’ instincts and I’m glad I did. Pearlman got interviews with virtually everyone even remotely connected to this team and unearthed a number of anecdotes and pieces of information I’d never heard previously. He also didn’t pull any punches on either side of the Kobe-Shaq divide but even still, the book never drifted into what I would consider salacious or agenda-based reporting. It was a great read and one I’ll probably revisit a few years down the line. One note, however. If you choose to pick up “Circus”, do so in book or eBook form. The narrator of the audiobook, whose name I won’t mention here, had no idea how to pronounce names, which is a pretty big deal for a non-fiction book featuring hundreds of names of real life actual human beings. For a while I blew off the insanely bad pronunciations but at a certain point it got so bad I started to wonder if the reader was doing a bit because there’s no possible way anyone actually thought these were the proper pronunciations. Book or eBook only, I beg of you. 

6. Anansi Boys - Neil Gaiman (Audiobook)
The final hole in my Gaiman awareness (minus some short stories that I plan to get through early this year), “Anansi Boys” was everything I wanted it to be and more. While not nearly as expansive as “American Gods” or “Neverwhere”, the story herein is rich and the characters are wonderful. Gaiman is so good at creating immersive, complex settings and narratives without sacrificing levity or drowning the story in the pretension that sometimes accompanies works of fantasy. Great read and one that might serve as an excellent entry point for anyone new to Gaiman’s works. 

5. The Big Picture: The Fight For the Future of Movies - Ben Fritz (Audiobook)
I hesitated to read this one when it debuted in 2018 because I knew much of Fritz’s reporting came from culling through the files from the infamous Sony hack in 2014 and that whole thing makes me uncomfortable. But the book kept coming up, so much so that I felt like I actually needed to read it in order to better understand the movie industry I spend so much time discussing. I give Fritz a lot of credit for his approach to the research and the writing of the book and I think he handled this subject matter as ethically as possible. “The Big Picture” provides tremendous insight into Hollywood and the film business as it stands now and, more importantly, where it’s headed. 

4. The Cold Vanish - Jon Billman (Audiobook)
Truthfully, I liked “The Adventurer’s Son” (see above) quite a bit more before I read “The Cold Vanish.” These books occupy a similar space and in some ways they compliment each other. But whereas “Son” focuses entirely on one man’s quest (and rightly so), Billman’s book takes a wider look at a plethora of missing persons and adventures gone wrong as well as the psychology of exploration and the ways in which the natural world calls out to some individuals more than others. I hold Jon Krakauer (“Into the Wild”, “Into Thin Air”) in the highest esteem so when I say that in “Vanish” Billman channeled Krakauer, know that I mean that as a tremendous compliment. This book stuck with me long after I finished reading it and, like the best of Krakauer, I expect I’ll come back to read it again in the future. 

3. How to Be an Anti-Racist - Ibram X. Kendi (Audiobook)
I’m not big on telling people they “need” to read a given book or more from a certain genre or whatever else. Life is hard and busy and if you read for educational purposes, great, and if you read for leisure, great, and if you read for escapism, great, I don’t care, good on you for finding the time to read, period. If I could break my own rule for just a second, however, I think this is a book that everyone actually needs to read. It’s tough and hard and challenging and difficult to get through in places but it is also necessary and remarkably well-written. This is certainly not the most enjoyable book I read this year but it is probably the best book I read and certainly the most important. 

2. The Cost of These Dreams - Wright Thompson (Audiobook)
Thompson is one of my absolute favorite authors, a man whose writing voice and speaking voice alike seem custom built to appeal to Brian Gill. He has written some of the more memorable essays and longform articles I’ve read over the last decade and I always look forward to his name appearing on the byline. “The Cost of These Dreams” is a bit of a cheat on a list like this in that it’s a collection of some of his better pieces from over the years but I don’t care, it’s my list and I was, as always with Thompson, deeply affected by his writing. All of the stories here are related to, you guessed it, the costs associated with striving toward a goal. Michael Jordan looking back on his life at age 50, a basketball player who went missing while hanging on to the remnants of his career in the Brazilian league, the fight against racism at Ole Miss, etc. etc. It’s an exquisite collection of pieces and Thompson’s narration for the audiobook only heightens their impact. In the middle of quarantine, I found myself sobbing into a basket of clean laundry as I listened to the piece on Jordan which I had read AT LEAST TWICE BEFORE. Maybe that says something about my mental state in the year of our Lord 2020 but it also says something about the power of Thompson’s words. 

1. Echo - Pam Munoz Ryan (Audiobook)
A Newbery award winner in 2015, I’d not heard of “Echo” until it popped up in an Audible sale and piqued my interest and it instantly became an all-time favorite and a book I’ll revisit plenty of times in the future. The story is told in three parts, each concerning a child in the midst of difficult circumstances, and the unknown connection they all share via an antique and semi-magical harmonica. Munoz Ryan handles some incredibly difficult subject matter with eloquence and grace and subtly connects her story to its relevance in today’s world because, you know, SOMEHOW WE ARE STILL DEALING WITH NAZIS. I can’t express how beautiful this book is and how moving I found the writing to be. I highly recommend the audiobook as well because of the excellent production of the reading, complete with harmonica interludes that may sound cheesy but, truly, only serve to deepen the reader’s connection to the story.

Ranking Communion Cracker Replacements

Like all of you, I was super pumped to be back in the building for church this weekend. Six months of displacement has been, of course, longer than any of us expected and much more difficult than anyone could have foreseen. I missed the worship, the sermons, the fellowship, the end of fellowship based on needing to get out the door and on the road to Olive Garden before the crowds assembled, and, of course, I missed communion. I love communion. I don’t like to serve communion because I really want that one quiet moment in church each week; it is a centering moment for me.[1]

Communion during quarantine was super wheels off for me as I’m sure it was for many of you.[2] I was pretty good at keeping grape juice on hand through most of quarantine though I would be lying if I told you we didn’t resort to Gatorade a time or two. But as for the bread? Every week was a scramble to find something bread-y for communion. Here is a ranking of all the things Lindsey, Cooper, and I used as a Communion Cracker replacement over the last six months.

SALTINE CRACKERS

I mean, I get it, Saltine Fans,[3] there’s nothing wrong with saltine crackers. But there’s also nothing right with saltine crackers. The biggest downside to the Saltine Cracker, of course, is its unfortunate association with having a stomach bug. Open up a bag of Saltine Crackers and your brain begins to wonder if you’re secretly planning on becoming sick or if you’ve already been so sick that your body forgot about all the puking you must have done very recently because there’s no other reason to be eating Saltine Crackers. 1/10, Would Not Recommend

DORITOS

First things first.
Question: “Brian, do you mean Nacho Cheese Doritos or Cool Ranch Doritos? Or, I guess, Ultimate Cheddar Doritos, Spicy Nacho Doritos, or Spicy Sweet Chili Doritos?” – Taylor Walling
Answer: “Obviously I’m talking about Cool Ranch Doritos, Taylor, I’m not a monster.”
Second, Dorito Communion Day was at, like, the dead center of quarantine when emotions were high, shelves were low on supplies, and we were really trying not to venture out if at all possible. Then Sunday rolled around and yowza, the pantry was depressing. My son looked at me like I was crazy when I handed him a Cool Ranch Dorito and I honestly didn’t blame him. The biggest issue with the Dorita for communion is the flavor profile when mixed with grape juice. We probably should’ve just doubled down on this communion “treat” and swapped out grape juice for Mountain Dew. 2/10, Would Not Recommend

TOSTITOS

I have definitely had Tostitos with grape juice before. Don’t judge me,[4] college was weird and sometimes it was Sunday night in Searcy, Arkansas and the midnight snack choices were slim pickins, as they say in Searcy, Arkansas. The flavor is fine, it’s just that they’re so dang salty. Sooooo salty. And it’s the kind of salty that doesn’t wash away quickly like most of the better communion choices herein. Once you’ve had Tostitos Communion, you’re pretty much like, “Welp. I guess this is what my mouth tastes like forever now.” 4/10, Vaguely Would Not Recommend.

NILLA WAFERS

On paper, Nilla Wafers sounds like a decent, if not downright good, idea as a replacement for unleavened bread. They’re sweet but not overly sweet, they kinda dissolve in your mouth, and they pair well with the juice. But they’re also wholly unsatisfying; they’re just sweet enough to activate the part of your brain that knows sugar is delicious even though it’s bad for you but not sweet enough to make that part of your brain go back into hibernation. And then you[5] spend the entire sermon being mildly distracted by wishing for more sugar. This is some real Screwtape Letters stuff right here. 5/10, Would Vaguely Recommend

GOLDFISH

Goldfish have to be the world leader in “Children’s snack most often stolen by a parent”, especially when you factor in the serving size of a bag of Goldfish. I hazard to guess that my son has never once in his life had a bag of Goldfish in my presence without me snagging a few out of that bag and I KNOW I am not alone in this. I don’t even like Goldfish all that much, it’s just a base instinct. “You got Goldfish? HOOK ME UP, BRO.”

My only hesitation on Goldfish as a communion replacement is there is no greater sign of Parental Give Up than busting out the Goldfish on Sunday morning. In my seven-ish years of having a child who can eat Goldfish, we have never once NOT had a thing of Goldfish in the pantry. Whether or not those Goldfish were fresh and not expired is a different matter entirely. When you have a child, people bring you diapers and wipes and home cooked meals and stuff and somewhere along the line someone hands you a gigantic box of Goldfish and that’s just a part of your life for at least the next 18 years. “Goldfish for Communion” might as well come with a note[6] that says “Yeah, look, I forgot, okay? Give me a break. It’s a pandemic. There’s a lot going on.” In fact, in the next pandemic, Goldfish should announce themselves as the official cracker of “Oops, I Forgot” Communion. 7/10, Would Recommend 

PRETZELS

I don’t know if this is a Hot Take or not, but I am very pro-pretzel.[7] In its most humble form (Rold Gold pretzel sticks, approximately 700,000 in one bag), it is at worst inoffensive and at best mildly satisfying. In its most luxurious form (slathered in warm butter at Auntie Anne’s[8]), it is a marvelous treat and, in a pinch, a meal replacement when you’re trying to find shoes for your son between the end of school and the beginning of basketball practice.[9] Salty but not “ruin your mouth salty” like Tostitos and surprisingly complimentary to the grape juice. 7/10, Would Recommend

CHEEZ-ITS

I held out on using Cheez-Its for communion because I feared the cheese element would be too overpowering at 10:30 am on a Sunday when I’m still drinking my coffee. I can’t explain this but Cheez-Its feel like a late afternoon “power through to dinner” snack not an appropriate replacement for communion. At a certain point, though, I went for it and yeah, Cheez-Its came through with flying colors. The only downside is we couldn’t have Cheez-Its Communion the following week because I ate a whole mess of Cheez-Its right then and there during the sermon immediately following the first Cheez-Its Communion. 8/10, Would Recommend

RITZ CRACKERS

The gold standard of Over the Counter Crackers. If Saltine Crackers are a reminder of how bad life is and how sick you must be if you’re eating Saltine Crackers, Ritz Crackers are the rainbow after the flood, a reminder of God’s promises and the good things that are to come. Glorious and perfectly suited to the juice. As a side note, you know what cracker is not represented in this list? Town House crackers. Because Town House crackers are a cheap knock-off of the Ritz Cracker. The Ritz v Town House War is real, people, and you can’t ride the fence. Pick a side! I have made my choice and I ride or die for Ritz.[10] 9/10, Strongly Recommend

FIREHOOK MEDITERRANEAN BAKED CRACKERS

Y’all had these crackers? Manna from heaven. I don’t know if you can pick these up at just any old grocery store; I’ve only seen them at the super bougie Kroger Marketplace, the one that has a dope Medi bar with olives and cheeses and stuff.[11] Easily the best cracker and, yeah, they’re more expensive than Ritz Crackers and probably like twenty times more expensive than Saltine Crackers because I assume Saltine Crackers come free with the purchase of any Sprite product. But, trust me, totally worth it. They are the perfect amount of salty and BEST OF ALL! They have a real, genuine, unleavened bread/communion cracker feel to them so you can really recreate the In-Church Communion feeling you’ve been missing. Next pandemic, I am stocking up on toilet paper, water, and Firehook Mediterranean Baked Crackers, I promise you that. 10/10, Super Strongly Recommend

OREOS

Yeah, I said it. Oreos. Oreos for communion. Communion Oreos. This is non-traditional, I grant you, but what about The Hills, I ask you, is traditional? For that matter, what about 2020 is traditional? Pandemics are hard, y’all, and self-care is important. Did I get some weird looks from Lindsey and Cooper when I busted out the Oreos for communion? Yeah, you bet I did. But I’m a trendsetter, an innovator, a trailblazer, if you will. And that’s the best communion I’ve ever had, hands down. In fact, I move that, whenever we are able to return to Communion As Normal,[12] the new normal is Oreo Communion. And before anyone asks, “regular Oreos or Double Stuf Oreos”, OBVIOUSLY the answer is Double Stuf. OBVIOUSLY. It is literally double the stuf for the same price. This is a no-brainer. 100/10, The Strongest of Recommends

[1] This is, like, the last serious thing I will say in this email.
[2] Or maybe not, I don’t know, maybe you were better at preparing than I was. Let’s be honest, I spent most of quarantine longingly staring at the basketball goal in the school playground next door.
[3] #SaltineNation
[4] Actually, go ahead and judge me. No regrets.
[5] Okay, maybe not you; maybe it’s just me.
[6] To myself and my wife and child since, you know, quarantine and stuff.
[7] #PretzelNation.
[8] Also, don’t sleep on the pretzel twist at Sonic! Delightful!
[9] Been there!
[10] #RitzNation.
[11] It also used to have a jewelry store in it for some reason? But they’re renovating because it turns out people do not like to buy fancy jewelry approximately seven steps from where they buy toilet paper and grapes. Weird, I know. Who would’ve thought?
[12] Probably in the year 2028 *falls flat on face*

If you enjoyed this foolishness, please check out the essay I published via Gumroad this summer wherein I drafted characters from fantasy movies and TV shows into the NBA. https://gum.co/eFQIf

Coop Convos: The Radio

I drive an old truck. “Old” is a relative term, I guess, so to be specific, I drive a 2008 Dodge Ram. It’s beat up and the paint is faded and the AC takes longer than I’d like to get running in the Texas Summers. But it gets me where I’m going and it’s paid off and so, I drive an old truck. 

My truck’s radio doesn’t have a USB port and of course bluetooth is out of the question. I could get a new radio or a bluetooth adapter but to be honest, I mostly just drive the truck to work and back or short errands and the AUX cord works fine for these purposes. But because it requires me to plug the AUX into my phone and switch over to the appropriate source[1] and because most of my drives are somewhere between five and seven minutes and because Apple changed their phone design so that you can’t plug in both an AUX cord and a lightning charger without a dongle, when I hop in the truck, I have to decide whether I want to take the time to plug in my phone and listen to a podcast or audiobook or Spotify or just let it ride with the radio. And more often than not, I just let the radio play. I love the radio, or at least I have nostalgia for the radio, and so this action doesn’t bother me all that much even though commercials are dumb and I don’t get most Radio Songs anymore and the sports talk is inevitably more Cowboys-intensive than I might like. 

Last week, Cooper and I hopped in the truck to take our daily trip to Target.[2] We were going a little farther out than normal so I plugged in the AUX and asked Coop if he wanted to pick the music. Now, I won’t lie and tell you my seven-year-old has an incredibly advanced taste in music; I didn’t expect him to request Uncle Tupelo or some early Outkast or “REM but B-sides only”. When I ask him for a musical choice, I’m tossing a coin between a Disney playlist or his favorite bands: the Foo Fighters and the Beastie Boys. I’m pretty sure he mostly likes these bands because he thinks the names are funny but he is actually pretty decent at identifying the Foos or the Beasties whenever they pop up in the car.[3] On this day, however, he threw me a curveball. Herein follows our conversation. 

Me: What music do you want to listen to?
Cooper (a little tired): I don’t know. 
Me: You want me to choose?[4]
Cooper: Just put on that podcast. 

*NOTE* This is a reasonable request. I listen to a lot of podcasts and have two podcasts of my own and he’s even been the guest of honor on a couple episodes. So, “Just put on a podcast” wouldn’t be weird, it’s the “the podcast” part that threw me off. 

Me: Which podcast?
Cooper: The one you always listen to.
Me: *racking my brain for “the” podcast I always listen to* I’m not sure which one you mean.
Cooper (a little exasperatedly): You knowwww. The one we always listen to in the truck.
Me: What’s it about?
Cooper: I don’t know, sometimes they talk about sports. 
Me: You mean The Ticket?
Cooper: I don’t know, maybe. 
Me: *hits the appropriate radio button for The Ticket* Is this it?
Cooper: *listens for a second* Yeah, I guess. Sometimes they talk about sports and sometimes they talk about movies and sometimes they play songs and sometimes they go back and forth.
Me: Like this? *clicks another radio button for a music station*
Cooper (extremely disinterested): Yeah, like that and then they play other kinds of songs sometimes and then they talk more.
Me: Like this? *clicks another button* And this? *clicks another button*
Cooper: Yeah, this podcast. The one we always listen to. 

 So. For at least the last few years, my son thought that my truck was receiving an incredibly eclectic podcast that lasted (in theory) all day long and which jumped back and forth between

[1] An action that would take approximately 0.00001 seconds.
[2] Because that’s, like, the only out-of-house-entertainment we have in Quarantinetopia.
[3] I am careful in which songs I let him hear so please save your call to CPS for another time, I’m sure I’ll deserve it later.
[4] Knowing we’re about to listen to the new T-Swift album for the 500th time.

Coop Convos: What Are You Singing?

I do this thing that I think a lot of people do but maybe it’s just some people I know and we’re all in a weird, unknowing echo chamber with one another and everyone else is like “No, that’s not normal.” I don’t know, you tell me. When I am in my house[1], I sing to myself (constantly), particularly when I am busy doing a thing. I say “a thing” because honest to goodness it can be literally anything. Chores, work, walking from one room to another, playing video games, checking the mail, making dinner, etc. I have found that if I play an audiobook or podcast in my Airpods, I won’t do the singing bit but otherwise, if I’m even remotely paying attention to Activity X, I will inevitably find myself absentmindedly singing. I almost never realize I am doing this until either A) someone calls me on it or B) I suddenly realize I don’t even like the song I’m singing. Everyone sings in the car when a real jam comes on the radio or in the shower or whatever but I suspect my particular affliction runs deeper than most.

In my defense, I am not typically overly loud in my perpetual song. It’s somewhere between a mumble and a half-voice but at least I’m not belting out (poorly tuned) bangers all through the day.[2] Where I have no defense, however, is in the choice of song. Sometimes it’s the earworm thing we all experience wherein a song randomly pops up in the background of life and your mind latches on for the ensuing hours (or days!) whether you like it or not. But sometimes, it’s more like there’s an echo in my brain that’s just taken a very long time to work its way back around and suddenly this song I heard six months ago in a Jiffy Lube is the only thing that matters in life, at least subconsciously. To make matters worse for those around me, I often swap out the lyrics for these songs, both the earworm and brain echo variety, for the people and beings and things around me. Our dog, Lucy, is the most frequent muse for these unintentional parody songs; there is no song that I cannot turn into a missive about Lucy. 

So, like, this is life with Brian Gill: a perpetual string of songs, some real and some made up on the spot, and all at the perfectly annoying decibel of “just audible enough to be annoying.” 

Cooper hangs out with me a lot during Normal Times but in Quarantine Times, obviously the ratio of moments spent with me versus without me has gone up quite a bit. I am quite genuinely thankful for this as I really do enjoy hanging out with my kid and he’s very easy to manage.[3] But it would be a lie to say that so many of these newfound hang out moments qualify as quality time. More often than not, it’s him sitting in my office with me playing on my iPad while I work at my desk as Phineas and Ferb plays in the background. This is a-ok with me as long as he doesn’t ask too much of my attention span and it’s a-ok with him as long as I don’t insist on basketball playing on the TV. Little compromises, you guys. 

Anyway, recently this exact scenario was playing out in my office. Coop on my iPad, me doing work at my desk, some show on the TV. I don’t know what I was working on but I was focusing on the screen in front of me, typing away and trying to keep my productivity up while he was distracted by Clash of Clans and before his string of questions began anew. Apparently, in the midst of my concentration and without my own recognition, I started in on my singing bit because this is the resulting conversation. 

Cooper (out of nowhere and with an incredible level of indignation in his voice): Have you been watching Boss Baby?!

NOTE: I assume you know what Boss Baby is but just in case: Boss Baby is a Dreamworks animated movie from 2017 featuring the voice talent of Tobey Maguire, Lisa Kudrow, Jimmy Kimmel, and Alec Baldwin as the titular Boss Baby. The movie is about a baby (the Boss Baby) who is sent from Baby HQ to figure out why babies are waning in popularity as opposed to puppies.[4] It is not a documentary, if you are unsure.

Me: What?
Cooper: Have you been watching Boss Baby without ME?!
Me: No. I have definitely not been watching Boss Baby without you. Why? 
Cooper: Because you’re singing the song from Boss Baby

Now, again, I cannot stress to you enough, dear reader, that the vast majority of the time, I do not realize I am singing in the first place. To ask anything further of me, like, say, keeping track of what I am singing, is far too much, to be honest. It’s like a very stupid reflex akin to breathing. Did you just take a breath? Yes? Well, okay, what kind of breath was it? Was it a super deep breath, a shallow breath, a double breath like when you almost burp but you don’t? TELL ME ABOUT YOUR BREATH! That’s kind of what it feels like in the moment especially when I really am trying to focus on whatever I’m working on.[5] 

So, I had to backtrack the last few minutes in my mind and think about what I was singing. 

Me: What was I singing? 
Cooper: The song from Boss Baby, I told you. 
Me: What’s the song from Boss Baby about? I don’t remember.
Cooper: It’s about a bird or something. 

“Blackbird.” I was singing “Blackbird.” By The Beatles. Off of the White Album. THAT “Blackbird.” And my son thought it was a Boss Baby original. 

I have failed as a parent. 

[1] And, in theory, I guess it could happen in other spaces wherein I know I am alone or nearly alone but this rarely happens so I don’t have a large sample size of data to back up the theory. 
[2] Though my wife might disagree.
[3] Those two things probably go hand-in-hand.
[4] I could’ve answered this question for Boss Baby and the other babies at Baby HQ: it’s because rent and student loan debt and car payments are way too high and income hasn’t kept up with inflation and the cost of living. There’s, like, a million Ted Talks on this subject. Get on the internet, Boss Baby. *scoffs*
[5] I’m really trying to sell this as I was hard at work on some very serious task for my actual job but in reality it was probably fantasy basketball scores.

25 Favorite Non-Fiction Books

Historically, I would say I have preferred fiction to non-fiction in my reading time by a fairly wide margin. A 70-30 split seems too wide but 60-40 seems a bit light so let’s call it 65-35 in favor of fiction and move on. In my younger days, that would’ve been more like 99-1 fiction and even up until the last decade or so, the skew would have been much closer to 80-20. But, as I’ve aged and as I’ve gotten pickier about my fiction choices, I’ve come to a place where I look forward to my next non-fiction read much more so than my next work of fiction. Last year, eight of my top ten reads (I got in 52 books for the second straight year, boom) were non-fiction and I expect this year will fall in around that mark as well. Still, I am no expert in the field, like my co-host Richard Bardon, and without doubt, several of my non-fiction reads each year come from Richard’s recommendation. But my love for the genre as a whole has grown significantly and over the years, I’ve read some really great works of non-fiction.

I tend to lean away from memoirs and lengthy biographies in addition to business-related books, overly complex educational reads, and political commentary. I try to make time for a few of these each year and sometimes they work quite well for me (as you’ll see on my list) but overall, my interests tend to lean toward sports, movies and TV, and music, usually rock stars and bands but not exclusively. Here are some of my favorites from across the non-fiction sphere.

If you would prefer to listen to this list, you can do so here:

HONORABLE MENTIONS: “Hi Bob!” by Bob Newhart (2018) and “X” by Chuck Klosterman (2017)
I cut both of these not for quality (because, indeed, they are both fantastic and would undoubtedly find places high on this list) but for content purposes. “Hi Bob!” is basically a longform podcast and that feels like a cheat compared to some of the exhaustive reporting and writing on display here. Similarly, “X” is a collection of essays brought together from years and years of writing for various websites and magazines and that, too, seems like a cheat. But this list would be incomplete without at least a mention of both books and thus, here they are. 

HONORABLE MENTIONS PART 2
I omitted spiritually based books from this list because it felt like a category unto itself or at least a sub-category similar to my feelings on “Hi Bob!” and “X”. If you’re interested in this category, my favorites are “Love Does” by Bob Goff (or any of Bob’s books) and “Divine Nobodies” by Jim Palmer.  

25. “The Punch” – John Feinstein (2002)
Feinstein is closer to the James Patterson of sports journalism than anything else and if you’ve ever listened to syndicated sports radio, you have for sure caught a super generic CBS Sports Minute with John Feinstein. Even still, he’s built an inarguable legacy for himself since he burst onto the scene in 1986 with “A Season on the Brink.” Feinstein likely has better books but “The Punch” tells one of his most compelling stories, focusing on an altercation between two NBA players in 1977 that left both scarred in different ways. The book mixes the micro story of both Rudy Tomjanovich and Kermit Washington with the macro of the league as a whole which found itself on the precipice of irrelevance just as this event took place.

Cobain.jpg

24. “Heavier Than Heaven” – Charles A. Cross (2001)
I’ve read a ton of books on the grunge scene in the early 90’s including anything related to Cobain. “Heavier Than Heaven” is not perfect (Dave Grohl was famously not interviewed for the book) but of all the Cobain books I’ve dug into, this is, I think, the most complete, presenting him as he was and shedding (what was at the time) new light on the troubled superstar who made some of my very favorite music.

23. “The Revolution Was Televised” – Alan Sepinwall (2012)
Sepinwall effectively invented the episodic TV show review and, in the process, became the critic of record in the field. In my mind, he is to TV criticism as Roger Ebert was to film criticism. Having been on the frontline, as it were, of the Peak TV Era, no one is better equipped to write the history of the shows that changed television, from The Sopranos to Lost to Mad Men and Breaking Bad. Each chapter of “Revolution” highlights a different show from the era with notes on production, reception, and cultural impact. There are other very good books that go in-depth on the individual shows herein (including Sepinwall’s own books on both Breaking Bad and The Sopranos) but for a crash course on the era, look no further. 

22. “Bossypants” – Tina Fey (2011)
Memoirs are not typically my favorite genre, particularly the entertainer/entertainment variety. But I love Fey and her work here is an excellent mix of insight and laughs, many of the self-deprecating kind. You get a great sense of who Fey is and why people in the industry want to work with her. I highly recommend the audiobook which she narrates herself and which gives you the vocal embellishments that really drive home her sense of humor. 

21. “Petty” – Warren Zanes (2015)
I know (or knew) less about Tom Petty than a lot of other musicians and rock stars going in; Petty is, for me, mostly a greatest hits type of musician, someone whose music I know mostly from the radio not from diving deep into his full catalog. Sometimes, though, that makes for more enjoyable reading because you get to set aside the “I already know this” feeling you might have with a subject you’re more knowledgeable on. Zanes pulls no punches on the facts and events of the musician’s life but he also doesn’t seem to take pleasure in the sordid details like some rock biographers. To his credit, Petty was quite open with Zanes and thus, you get a story that feels more complete and much more intimate than what I typically expect to find when I go into a book like this.

20. “Your Favorite Band is Killing Me” – Steven Hyden (2016)
Hyden is a fairly well-known rock critic who has worked at Uproxx, AV Club, and Grantland (RIP). In “Your Favorite Band”, he explores 19 rivalries within the music world, discusses the virtues and faults of both parties, and asks you to pick a side. Some of the matchups are well-known, such as Tupac and Biggie, TSwift and Kanye, Nirvana and Pearl Jam, etc. but some I had absolutely no idea about due to my age, musical proclivities, or, in some cases, geography. Did you know Oasis v Blur was a huge rivalry in the UK? I didn’t, because Oasis wrote a couple of the biggest songs of the 90’s and Blur did the “Woohoo” song. But apparently this was a big deal overseas! It’s a very well thought-out and researched book with a great mix of fact and personal opinion.

Farley.jpg

19. “The Chris Farley Show: A Biography in Three Acts” – Tanner Colby and Tom Farley (2008)
This definitely falls into the “Not a Fun Read” category if you are someone who needs such trigger warnings. I have no idea how deeply the Chris Farley story resonates with those in the generations before and after me, but I fall squarely into the group for whom he was a massive star and for whom his death was devastating. I think part of the reason for putting this book together was to provide therapy for his family; you can kind of feel Tom trying to work through his brother’s death through the book. It is, nonetheless, an outstanding and complete read. I’m a fan of the oral history style (more on that to come) and the format is used to great effect herein.

18. “The Last Boy” – Jane Leavy (2010)
Mickey Mantle is THE athlete for a generation of Americans who grew up worshipping the Yankees’ troubled-but-talented star. There are plenty of books about The Mick, including at least one autobiography, but Leavy wrote what is widely considered the definitive Mantle book. The author chronicles his upbringing, his rise to fame, his injury-riddled career, and his continual battle with alcoholism while interweaving tales of her meetings with him in his later days. He is an incredibly complicated person and Leavy does a tremendous job of digging through all the layers to present a complete picture of the man.

17. “Billion Dollar Whale” – Bradley Hope and Tom Wright (2018)
I am the sort of person who pays a great deal of attention to the things I pay attention to and a great deal of no attention to the things I pay no attention to. (This is probably the worst sentence ever written and I am sorry.) That is to say, I’m all in or all out and when I’m all out, the details surrounding a thing pass me by completely. I’m not a businessperson and thus, I pay no attention to business matters even when they involve massive scandals like the one laid out in “Billion Dollar Whale.” But Richard harped on me for months to read this one, about a Malaysian con man who bilked investors from a wide range of fields including Hollywood out of billions of dollars. Hope and Wright did tremendous work in investigating and putting the story together and it is an immensely enjoyable read.

16. “The Daily Show (The Book)” – Chris Smith (2016)
The second of four oral histories to make my list, this is another that falls into the “sometimes it’s better not to know much about the subject matter” category. The Daily Show was never a show I watched with much conviction, though I always had an appreciation for the bits I saw, not to mention Jon Stewart. But this retelling of the history of the show, how it came together, how it succeeded, the behind the scenes process, etc. I found to be extremely engrossing and the audiobook flowed wonderfully. 

Holmes.jpg

15. “Bad Blood” – John Carreyrou (2018)
Like “Billion Dollar Whale”, this is another big-time story in the business world that I knew absolutely nothing about. Since my reading, it’s become an even bigger story with the HBO documentary last year and an Adam McKay movie starring Jennifer Lawrence in the works. Carreyrou’s reporting is exquisite and it is a riveting story. I routinely found myself wondering aloud how anyone could fall for the Theranos scheme but at the same time questioning whether those involved knew they were running a scam or if they actually bought their own lies. This is definitely one you want to read before the movie drops sometime next year. 

14. “The Man from the Train” – Bill James (2017)
Wow. Bill James is the father of sabermetrics (analytical stats) in baseball so I wouldn’t have pegged him to solve a string of 100-year-old murders BUT THAT’S EXACTLY WHAT HE DID! With the help of his daughter, James began investigating a grisly murder that took place in Iowa in 1912 and took on the task of connecting the murder with a series of others that took place across America between 1898 and 1912. AND HE SOLVED IT, GUYS. He figured out who the murderer was! It’s incredible journalism and I think we should probably put Bill James in charge of a lot of things moving forward.  

13. “Boom Town” – Sam Anderson (2018)
If there are two things I hate, it’s Oklahoma and the Oklahoma City Thunder. And yet, I was thoroughly enthralled by Anderson’s chronicle of following the Thunder through the 2012-13 season, accompanied by the history of the state itself. “Boom Town” is just far more interesting than any book about Oklahoma has any right to be and I’m starting to think Anderson might be a warlock for making his book work so well and keeping me this invested in the Thunder. (I am mostly kidding about Oklahoma, it’s fine. I am very much not kidding about the Thunder. Just for the record.)

12. “Willie Mays: The Life, the Legend” – James S. Hirch (2010)
Mays, even more than Mantle or any of the great baseball players of the era, is probably the athlete from before my time that I most wish I could watch live. Hirch’s biography is definitive and complete, detailing all the events of Mays’ life from his childhood all the way up through the present day but, of course, with particular attention paid to his playing days. It is an extremely long book (fair warning) but Mays has earned every single page and Hirch’s layout never bogs down. 

11. “Born Standing Up” – Steve Martin (2007)
One of the original American Treasures, Martin’s memoir is touching and hilarious, serving as perhaps the gold standard (for me, of course) in the genre. “Standing Up” is by no means exhaustive, coming in at a slim 224 pages, but I take this as a lack of vanity rather than being overly protective of his personal history (which he is entitled to protect if he so chooses, of course). It’s a wonderful little book and a super easy read that even I, among the world’s slowest readers, could knock it out in one good sitting.

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10. “The Rap Year Book” – Shea Serrano (2015)
Shea has become a literary and Twitter superstar over the last half decade and I considered putting his next book, “Basketball (And Other Things)”, on this list (I was less into “Movies (And Other Things)” but that’s okay, he does not need my approval) but it’s “The Rap Year Book” that I really love the most in a cover-to-cover way. The book begins in 1979 and in each year moving forward, Shea picks the most influential rap song of the year and makes his case for said song. And look, I am not a hip-hop aficionado (surprising, I know) so maybe his choices are terrible; I do not know and I do not care. The writing is laugh-out-loud funny and the artwork (done by the impeccable Arturo Torres, whose prints adorn the wall of the office I am in right at this very moment) is exquisite. 

9. “Friday Night Lights” – Buzz Bissinger (1990)
I’m not totally sure but it is conceivable that “Friday Night Lights” was the first sports book I ever read and it has stuck with me through many, many further ventures into the genre. It is widely held up as one of the great sports books ever written and inspired both the 2004 movie and the 2006 TV show of the same name. It is a heartbreakingly real and thorough look into the culture of small-town football and it pulls no punches on its various subjects. I was only five years old when Bissinger followed the Permian Panthers through their season and yet I feel like I know every single person in the book due to how universal they all are.

8. “The War for Late Night” – Bill Carter (2010)
Having previously chronicled the contentious rivalry that developed between David Letterman and Jay Leno in “The Late Shift”, Carter returned to the Late Night scene to detail the battle between Leno and Conan O’Brien that took place in 2009. I am firmly Team Coco in this fight because, after all, I am a human being and not a sentient 1955 Mercedes. With that said, I love that Carter presented the facts surrounding the dispute between O’Brien and Leno without inserting a shred of opinion. In fact, the book probably puts more emphasis on O’Brien’s faults than Leno’s, although this is partly due to Leno’s being much more publicly known to mass audiences. It’s a brilliantly reported book and Carter is a master of his craft and although the grip of talk shows on the culture at large seems to weaken by the day, this is a must-read for anyone interested in the entertainment industry.

7. “The Book of Basketball” – Bill Simmons (2009)
I have a love-hate relationship with Simmons that now frustratingly leans toward “hate” much more than I would like. Even still, it cannot be overstated how important his writing (and writing style) has been on me over the last 20 years. It is an absolute fact that I would not be writing this piece today if not for Bill Simmons (so please forward all complaints directly to him, thanks). “The Book of Basketball” was a monumental experience for me because, for the first time, someone dug into the ENTIRETY of the NBA to an obscenely detailed level. The title may seem pretentious, but it is spot on in that Simmons covers EVERYTHING. It’s a huge undertaking, clocking in at over 730 pages but honestly, I could’ve done with another 700 pages or so without any problem because I am, of course, all basketball all the time.

6. “Live From New York” – James Andrew Miller and Tom Shales (2002)
Miller and Shales did not invent the oral history (cavemen and such) but they did reintroduce it into the mainstream as an effective writing style. Without this book (and its descendant, “Those Guys Have All the Fun” which covers ESPN), I’m not sure the other oral histories on my list ever get made or at least, I’m not sure they ever find their way into my possession. “Live From New York” chronicles the rise, fall, and rebirth of Saturday Night Live through its first 25+ years (an updated version was published in 2015), for which Miller and Shales talked to virtually every single person who ever came through the doors at 30 Rockefeller Plaza. It’s a magnificent look at one of the industry’s greatest institutions.

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5. “The Breaks of the Game” – David Halberstam (1981)
You can argue the merits of any number of books being the best (team) sports book ever written but you’ll be hard pressed to convince me of anyone else taking the title of best sportswriter away from Halberstam. I’ve read “Breaks” several times, most recently in 2018, and it remains nearly unparalleled in its excellence. The book follows the Portland Trailblazers and the fallout from trading their eccentric star (American Treasure Bill Walton) but really, it’s about the NBA as a whole as it moved toward a make-or-break era of basketball. Halberstam is a true master of his craft and the story he weaves is, like a good 30 for 30, so compelling that even a non-sports fan could enjoy the read.

4. “Yours in Truth” – Jeff Himmelman (2012)
This is one of the more unique biographies I’ve ever read and one of the more enjoyable as well. Himmelman was tasked with biographing famed Washington Post editor Ben Bradlee and he did so through a mix of interviews, exhaustive research, and digging through a warehouse full of Bradlee’s archives and personal correspondence. Bradlee was a fascinating figure and Himmelman’s handling of the material and the structure of the book work extremely well in bringing his life to the page. “Yours in Truth” perhaps is not the complete “warts and all” treatment but it also doesn’t shy away from the lesser aspects of Bradlee’s life and in doing so, you get a fair accounting of the subject. 

3. “On Writing: A Memoir of the Craft” – Stephen King (2000)
Part memoir, part writing instruction, I have never read a book more important and more in tune with the creative process than this one. Some chapters are biographical, and some read more like a Master Class session, but all are valuable and, of course, well-written. In the midst of describing how he came up with an idea for one of his books, King walks you through his creative process with suggestions (and sometimes actual rules) for jumpstarting your own endeavors. It is an easy, interesting read that also promotes highlighting and note taking and the lessons herein I think are vital to anyone who wants to create, either part-time or full.

2. “Everybody Loves Our Town: A History of Grunge” – Mark Yarm (2011)
I’ve mentioned previously both my love for the grunge era of music and the oral history form of storytelling. “Everybody” combines those two things into an exhaustive-yet-dynamic read that I could hardly put down. Yarm got interviews with EVERYBODY even loosely connected to the grunge scene and chronicled, in great detail, the rise of the genre, its spread across the country, and its inevitable downturn. There’s plenty of focus on the stars of the scene (Nirvana, Pearl Jam, Soundgarden, and Alice in Chains) but Yarm never skips over any contributor, whether an early grunge predecessor like the U-Men or bands that tried and failed to ride the music’s flannel coattails like Candlebox. I’ve read just about every grunge-era book I’ve been able to get my hands on and this remains, for me, the definitive volume on the scene. 

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1. “Into the Wild” – Jon Krakauer (1996)
I think this book is still used in some English classes but in my day, it was a must-read in virtually EVERY high school. There are very few mandatory reads from my school days that I tolerated, let alone revered, but “Into the Wild” struck a deep chord with me and I revisit it every few years. No one in the literary world has modernized the concept of wildness exemplified in the writings of Jack London, Rudyard Kipling, etc. like Krakauer has and I think this is his most personal book. I think it’s clear he felt a connection to his subject, Chris McCandless, the would-be adventurer who died in the Alaskan tundra either due to poor planning or tragic circumstance (or both) and through “Into the Wild” he wrestles with that connection. Whether you think McCandless was a hero or you think he was an idiot or, like me, you sit somewhere in the middle, this is a book that stays with you and turns over in your head for days on end. It is a sad, beautifully written book and exemplifies Krakauer’s mastery of his genre.

Top 25 Favorite Books (Fiction)

So you’re locked inside your house and you’ve watched everything on Netflix twice and now you’re staring at a stack of books wondering where to even begin, huh? Well, well, well. How the turn tables…turn. I grew up in a house of books; in fact, I’m pretty sure the foundation of my parent’s house is propped up by books which is ironic considering the house is also being weighed down by the thousands of books they own. I read a TON as a kid and pre-teen then lost almost all interest in books in high school thanks to the bane of required reading in English classes. I dabbled in serious reading again here and there, but it wasn’t until 2016 that I made it a point to set reading goals for myself and make reading a priority. I’ve read 52 books each of the last two years, though many have been audiobooks (count it however you can in this busy world, I say). With the weird and unsure times we’re in, and many of you experiencing unexpected downtime, I’ve had several people ask for book recommendations. So, I’ve put together a list of my 25 favorite works of fiction. There’s a lot of science fiction and fantasy here but I also mixed in some classics and a few other outliers so hopefully there’s something here for everyone. If time allows (read: “demands”), I may do a follow up with non-fiction but for the moment, here’s what I’ve got on the fiction side of things. Happy reading!

If you’d prefer to listen to an audio version of this blog, you can do so here:

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HONORABLE MENTION: “The Lord of the Rings Trilogy” – JRR Tolkein (1954-1955)
Misses the list slightly only due to the fact that I enjoy/like/love not one but TWO different adaptations better than the actual books themselves. The films, compiled together into one big, 20-something hour movie, occupy a prime spot among my top five favorite movies of all-time. And there’s a really great radio play from the late 70’s that I listened to dozens and dozens of times growing up. Still, the source material makes these adaptations what they are and I’m a big fan of the entire world Tolkein created (see below). 

25. “Red Planet” – Robert Heinlein (1949)
Synopsis: A coming of age story set on Mars featuring a pair of boys and their pet Martian dog thing.
It’s been a while since I’ve read this one, but it was a favorite as a pre-teen and teenager. “Red Planet” is for me the quintessential dime store sci-fi novel. Simple, short, and perfectly aimed at its target audience, something Heinlein was brilliant at in his earlier writing days. There’s also a very cool cartoon adaptation but it is not easy to obtain in any sort of *legal* form.

24. “A Boy and His Dog at the End of the World” – CA Fletcher (2019)
Synopsis: In the post-apocalyptic British Isles, a teenager attempts to track down the pirate who stole his dog.
Over the last year or two, my reading tastes have shifted to non-fiction. I still listen to and read a lot of fiction, especially science fiction, but I’m rarely all that enthused with these books when I get to the end. This was a big exception last year. Fletcher navigates some very familiar tropes with ease and crafts a really beautiful story that will make for a great film adaptation someday. 

23. “Starship Troopers” – Robert Heinlein (1959)
Synopsis: Johnny Rico fights a futuristic war against a society of evil alien bugs.
If you’ve seen the movie(s) version of “Starship Troopers” then, uhhhhh, you have basically no idea what the book is actually about. Let’s just say it wasn’t *exactly* a perfect adaptation. This book is layered with symbolism, social commentary, and political satire but if you want to read it as a piece of straight-up sci-fi action (as I did in my youth), you can do that, too. There are probably better Heinlein novels, but this is certainly my favorite and perhaps the most accessible of his bigger, denser works. 

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22. “The Great Gatsby” – F. Scott Fitzgerald (1925)
Synopsis: Love, tragedy, and decadence in the Roaring Twenties.
I have never in my life felt older than when the DiCaprio-Luhrmann version of “Gatsby” debuted and so many youths were having Gatsby-themed proms and stuff and I was like yelling in the streets, “YOU ARE COMPLETELY MISSING THE POINT OF THE BOOK!!!” And in that moment, I knew I had become my 10th grade English teacher. Truly, though, there aren’t many school-mandated books that I tolerate, let alone enjoy, but this is one of them.

21. “The Book of Lost Things” – John Connolly (2006)
Synopsis: A boy, struggling to deal with the death of his mother and his father’s new wife, finds himself trapped in a fantasy world by The Crooked Man.
Several times a year, Audible runs promotions and sales events and I usually stock up on a couple of titles that sound interesting. More often than not, these purchases end up being mediocre or worse but this one was a rare outlier. Lots, and lots, and LOTS of books attempt the modern day take on classic fairy tales or mythology, but Connolly did it better than just about all of them, weaving together a lively and engrossing story within an even livelier and engrossing world. Part “Chronicles of Narnia” and part Arthurian quest, “The Book of Lost Things” is a delightful piece of fantasy. 

20. “To Kill a Mockingbird” – Harper Lee (1960)
Synopsis: I mean you all read this one in high school, you know?
My favorite of the school-mandated reads, a feeling I suspect is quite common amongst my generation (and probably the generations before and after me). Lee’s novel is a masterpiece and her themes are still so incredibly relevant and important. I’m not sure how anyone reading this list could’ve gotten through high school without reading “Mockingbird” but if somehow you missed it or it missed you, this is considered required reading.

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19. “Jurassic Park” – Michael Crichton (1990)
Synopsis: A crazy rich guy (aren’t they all?) uses fossilized DNA to make dinosaurs and opens an amusement park where, shockingly, things go wrong.
I was OBSESSED with Crichton’s books as a pre-teen/teen and I devoured most of his better-known works at a rapid pace. My favorite at the time was “Sphere” but “Jurassic Park” is without question his most well-known, well-read book and the one that I have revisited the most myself, though it has been ten-plus years since my last trip through. If you’ve seen the movie (and obviously you have because it is, after all, a modern classic), you’ve got the gist of it, but the book adds some depth to the story and it is expertly crafted as a thriller. 

18. “Ender’s Game” – Orson Scott Card (1985)
Synopsis: Young Ender Wiggin undertakes extensive training at a military academy in order to become a leader in the fight against an alien race.
Because I grew up in a nerdy household filled with nerdy books, this wasn’t my first foray into sci-fi, but it was for a lot of people my age who read it in middle school or high school. I’m unable to say whether or not the story development works for adults as well as it did for me as a young teenager, but I know it left an impression on me that has lasted for 20-plus years. The movie is fine and the book series loses steam pretty quickly but this single story is still very good. 

17. “World War Z” – Max Brooks (2006)
Synopsis: An oral history of the zombie outbreak and invasion.
I love oral histories and while I’m sure there are other works of fiction that utilizes the medium, “World War Z” is the first I remember reading and uses the format the best. If you’ve seen the Brad Pitt movie, you’ve seen approximately three pages of the book, I would guess. I like the movie but, as a fan of the book, I wish it wouldn’t have posed as an adaptation for what was, essentially, a completely different story. Regardless, this is a really great read and Brooks’ commitment to both story AND character development is to be commended. 

16. “Children of Time” – Adrian Tchaikovsky (2015)
Synopsis: A group of future space colonists, an angry AI, and a species of sentient spiders battle for possession of a faraway planet.
A lot of what makes my “favorites” list would be considered more “soft” sci-fi or at least more accessible sci-fi. “Children of Time” is much denser and more “hard” sci-fi than many of the other entries here but it is, nonetheless, a well-crafted book with an engrossing story that takes place over thousands of years. I was skeptical of this book and passed it over a few times when it came up in my Audible suggestions because I couldn’t see a world in which Tchaikovsky could make his story work without getting lost in the scientific weeds. But he did, and the result is one of the better pieces of true science fiction I’ve come across in a long time. The sequel, “Children of Ruin”, is solid, too, but not quite up to this standard.

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15. “Neverwhere” – Neil Gaiman (1996)
Synopsis: An unwitting young businessman stumbles into a world of magic and crime in London Below.
Look, let’s start by saying you cannot go wrong with Gaiman. He is a true master of his craft with a literary voice that almost literally sings off the page. (His speaking voice is also magnificent and as such, I highly recommend the audiobook for this one.) I would guess that “American Gods” is Gaiman’s most well-known book and it’s excellent but for me, “Neverwhere” and another book on this list are more enjoyable and more accessible. “Neverwhere” starts a little slow with its world building but once it gets going, it never lets up, and the underworld of London makes for an incredible backdrop for the story. If you want more mythologically-built storytelling, “American Gods” might be the play but if you’re more interested in fantasy and magic, “Neverwhere” is the book for you. 

14. “Reincarnation Blues” – Michael Poore (2017)
Synopsis: Milo has only five lives left to figure everything out and join the cosmic soul.
Fitting that this entry falls right after my first Gaiman recommendation as it has a number of stylistic and storytelling similarities. “Reincarnation Blues” is sort of a cross between “American Gods” and “The Hike” which will be mentioned here in a bit. This is a dark comedy but it leans into the comedy especially in the words Poore chooses for the inner monologue of his lead character. “Reincarnation” is mystical and spiritual and a much more fun journey than you might imagine given the subject matter. 

13. “Boy 21” – Matthew Quick (2012)
Synopsis: A hardworking Irish basketball player tries to befriend the new kid, a former basketball prodigy whose life has been altered by tragedy.
I picked this up in the clearance section at a bookstore and read it in one sitting on a plane. (Okay, actually two sittings on two flights but you get the point.) Quick’s most famous work is “Silver Linings Playbook”, both a solid book and movie adaptation, but I like this much better. The protagonist and his weird, troubled friend feel so real and Quick lays out the foundations of his world with ease. It’s a very honest, heartfelt read and one that elicits emotion in an authentic way.

12. “The Girl with All the Gifts” – MR Carey (2014)
Synopsis: A teacher at a military base that houses zombie kids takes a special interest in a very different girl named Melanie.
This, along with “World War Z”, are the only entries on my list that you could classify as “horror.” Not my favorite genre of film, for sure, but I’ve also never loved reading it, either. Exceptions are made for GREAT stories, though, and “The Girl with All the Gifts” is very much that. It is terrifying but not in its action or descriptions of gore and violence; rather, it’s mostly in its storytelling where the book creates tension and chills, a compliment to Carey’s magnificent writing. This certainly isn’t a feel-good book and child zombies might not be the order of the day for many of you in the midst of a pandemic, but it is one of the best post-apocalyptic reads I’ve ever read. (Carey has a sequel, “The Boy on the Bridge”, that is very good and another book, “Fellside”, that is okay. This book was also adapted into a small-ish British movie with Glenn Close and it’s pretty decent, a B+.)

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11. “This is Where I Leave You” – Jonathan Tropper (2009)
Synopsis: A recently divorced man reunites with his weird, sometimes estranged family to sit Shiva after the death of his father.
A trigger warning for those who have been through a divorce or a really bad breakup after a long-term relationship: the first few chapters of “This is Where I Leave You” are ROUGH. Based on Tropper’s own experiences, (which is exactly why the events are so painful) the book lays the main character low then sends him home to a house full of crazy people who all feel incredibly familiar. Authenticity runs rampant through “This is Where I Leave You” but, thankfully, so, too, does humor and interesting, quirky cast of characters. The movie adaptation is not so good but don’t let that keep you away from the source material.

10. “The Martian” – Andy Weir (2011)
Synopsis: Astronaut Mark Watney is left for dead on the surface of Mars where he attempts to survive until a rescue mission can arrive.
I’m not sure I’ve ever read a work of “hard” science fiction that is as fun as “The Martian.” There’s so much math and science and botany and all manner of other serious, academic-type material within “The Martian” and yet, like the best teacher you ever had in high school, Weir understands that the only way to make most people care about all the “boring” stuff is to make it fun and Mark Watney is super-duper fun. Ridley Scott’s movie is a great adaptation and Matt Damon made an outstanding Watney but the book is even richer and, dare I say, more fun than the film, somehow. 

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9. “A Monster Calls” – Patrick Ness (2011)
Synopsis: A young boy begins to hear the call of a twisted old tree in a graveyard down the street while his mother battles cancer.
Anyone who knows me in real-life or listens to Mad About Movies knows that I cry, like, a lot in movies. And okay, maybe it’s not just movies; maybe it’s TV and commercials and music and sermons and, like, life choices and stuff. I cry a lot, okay, GET OFF MY BACK! I don’t, however, cry a lot during books. A tear here or there and a couple of big outliers like “Harry Potter” (see below) but for the most part, not a big book crier. I suspended this rule in the EXTREME, however, for “A Monster Calls”, which is probably the most devastatingly beautiful book I’ve ever read. I listened to this book while moving into a new house a few years ago and was mostly just wandering around the house, carrying boxes, and bumping into walls because I was sobbing so much. “A Monster Calls” reads like a CS Lewis parable for the modern age and it is magnificent but oh my, how it will put you through the emotional ringer. 

8. “Hits and Misses” – Simon Rich (2018)
Synopsis: A collection of short stories by the funniest writer in the world.
From the book that made me cry the most to the book that made me laugh more than any other. Simon Rich is an actual comedic genius and all of his stories and books are brilliant, but this one takes the comedic cake for me. The stories herein are so perfectly written and uproarious, particularly “The Jester” and “The Ultimate Foosball Championship.” I was trying to read this eBook in bed next to my sleeping wife and had to leave the room because I couldn’t NOT laugh out loud. I legitimately laugh to the point of crying every time I re-read one of these stories. It is a perfect collection.

7. “The Hike” – Drew Magary (2016)
Synopsis: On a business trip, Ben stumbles into a dangerous and magical world wherein his only companion is a cantankerous crab.
I have a love-hate relationship with Magary in that he is one of the funniest people on the planet, but he is also, apparently, one of the most miserable people on the planet. (I don’t mean “miserable” like criminal or necessarily “bad”; I just mean I don’t know that he’s ever had a good day in his entire life and sometimes when reading him, I’m just like, “OKAY DUDE GET A PUPPY OR SOMETHING, GOSHHHHH.”) “The Hike”, though, is the work in which Magary perfectly channels ALL aspects of his personality and writing style. It is unbelievably funny but equally melancholy and dark. It’s poetic and deep and touching but under the shadow of grumpiness, a characteristic I am a big fan of. “The Hike” is a modern-day “Alice in Wonderland” for adults and a highly enjoyable read.

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6. “The Ocean at the End of the Lane” – Neil Gaiman (2013)
Synopsis: A middle-aged man returns home for a funeral and begins to remember the supernatural events of his childhood.
I’m pretty sure this was the first Gaiman I read and while it’s one of his slighter, less-widely-read books, it is by far my favorite. “The Ocean” takes all of Gaiman’s favorite tropes, concepts, and inspirations and boils them down into a small, eloquent little story within a more self-contained, micro world than what you’ll find in “American Gods” or “Neverwhere” and I love it all the more for that smallness. It’s a beautiful book and easy read and, like “Neverwhere”, Gaiman is the reader on the audiobook and his voice is dreamy.

5. “The Red Rising Trilogy” – Pierce Brown (2014-2016)
Synopsis: In a future society spread out across the galaxy, a young man from the lowest caste  rises up against his people’s oppressors.
I’ve read this series twice since 2017 and I expect I’ll read them many more times over the coming years. I *liked* the series the first time through and in the gap between readings, they grew on me even more. The second time through, I *LOVED* them and now recommend them to anyone who has read “Harry Potter”, “Game of Thrones”, “Hunger Games”, etc. The first book is sort-of “Hunger Games” on Mars (except actually well-written, YA BURNT, Susan Collins) and the rest of the series turns into a more-readable version of “Dune” (YA BURNT, too, Frank Herbert). Brown’s world is intricate and well-thought-out, the story is super engaging, and I absolutely LOVVVEEEE these characters, more so than any other series outside of “Harry Potter.” (Brown is two-thirds through a sequel series set sometime after the events of this trilogy, but I haven’t read them yet as I’m waiting for the series to finish before binging them all.)

4. “The Hobbit” – JRR Tolkein (1937)
Synopsis: Bilbo Baggins leaves his safe-and-comfortable life to accompany 12 dwarves and a famed wizard on an adventure.
For many, many years, this was my answer when someone asked, “What is your favorite book?” And then those people would roll their eyes or yell “nerd!” or try to give me a wedgie or something but I stood by my choice because I am a man of principle and also a nerd. I have read “The Hobbit”, without exaggeration, at least 30 times in my life. I’ve written papers on “The Hobbit” and made presentations on it in school at least twice. I own four or five different copies and every time I go to a used bookstore, I look to see if they have a version I don’t have. This is such a fun, easy read and whereas “The Lord of the Rings” sometimes get bogged down in Elvish songs and boring, minute details, “The Hobbit” is much more streamlined and provides a perfect entry point for low fantasy novels. (This is one you could absolutely read with your kids, if you are looking for ways to pass the time.)

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3. “The Amazing Adventures of Kavalier and Clay” – Michael Chabon (2000)
Synopsis: Two Jewish cousins become acclaimed comic book publishers in pre-WWII New York.
I totally missed this one when it debuted, despite all the hype and the fact that it won the Pulitzer for fiction. I just got to it via audiobook in 2017 and it instantly became a favorite. Chabon, at times, can run long in his books with stretches of pages that you wind up flipping through without actually reading, but he is a master wordsmith and, for me, “Kavalier and Clay” was an absolute page turner (or whatever the phrase would be for listening). The story development is told in phases as the characters progress from pre-World War II through post-WWII and the two main characters are extremely human and extremely likable in spite of, or perhaps because of, their flaws.

2. “Ready Player One” – Ernest Cline (2011)
Synopsis: In the not-so-distant future, teenager Wade Watts escapes from his bleak reality into the comfy confines of the OASIS, a VR world where anything is possible.
There are some “RPO” haters out there who believe the book relies too heavily on nostalgia. I kind of understand that criticism but I think they’re missing the point. Maybe this is semantics but, for the most part, I think Cline builds with nostalgia instead of on nostalgia and that’s the reason why “RPO” is such a great read as compared to a host of other books, movies, and TV shows that have followed in the wake of this book’s success (including Cline’s own follow up, “Armada”). Cline’s world is incredibly intricate and his attention to detail is top notch. It’s a fun read that dabbles in social commentary and never lets up in its grandiose worldbuilding.

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1. “The Harry Potter Series” – JK Rowling (1997-2007)
Synopsis: On his eleventh birthday, Harry Potter discovers he is a wizard and then a lot of things happen that I love.
This is probably the least surprising end to a top-25 list ever for anyone who knows me but here we are nonetheless. If someone asks me what my favorite SINGLE, SOLITARY BOOK is, I say “Ready Player One.” But, when I have any wiggle room by which to define “book”, the correct answer is “Harry Potter”, an answer than combines all seven books and 4,224 pages into one big, great, beautiful book that I love more than most of my friends and family. I pushed back HARD against the Potter phenomenon as a teenager and young college student, attending the movie premiers with my family and enjoying myself but never fully engaging. Then, after seeing The Goblet of Fire, I changed my tune and read all of the six available books in approximately three days (an exaggeration, but slight). I’ve read the books multiple times since, both as hard copy books and in audio format (highly recommended, as Jim Dale is one of the great readers the world has ever known) and I cannot wait to dig through the series again with my kid in the very near future.

Top 25 of the Decade

This was quite the endeavor. End of year lists are tough enough and I almost always end up regretting one inclusion or omission within days of finalizing a list like that. But a decade? That’s a lot of movies. I started working on my list in November. I went through my end of year lists from each year in the decade and grouped any movie I really liked into genres; action, superhero, romcom, sports, etc. I ranked within those genres, came up with top 15-20 lists in each genre, and started cutting and sorting from there. This process kept me up at night, y’all. There are a lot of movies I love that couldn’t even be in consideration for a spot in my top 100 because of the plethora of choices I had at my disposal. But I persevered and I came up with a final top 50 and then agonized over how to rank those 50 films.

Next week, we will be dropping our 600th episode. For the occasion, we each picked our ten favorite films of the decade. In preparation for that, here’s the list of beloved movies that fell just short of that top ten status for me. Listen to our next episode to hear my top ten as well as Kent and Richard’s lists.

A note: The key term here is “favorite.” Not “best” and not “top” but “favorite.” I value rewatchability and fun and the movies I revisit the most in my non-podcast movie watching typically lean more toward action and comedy than anything else.

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25. 21 Jump Street (2012)
In every single way, this should not have worked. 21 Jump Street should have been one of those cautionary tale-type movies that everyone points to for years afterward and says, “This is a bad idea. Remember 21 Jump Street?” And instead, it is one of the funniest movies of the decade and immensely rewatchable. It also recast Channing Tatum in my eyes, and I think paved the way for his much-rangier-than-expected decade. The sequel has the funniest moment of either of these movies (when Jenko connects the dots in Captain Dickson’s office) but as a whole, this movie is the best of the two.

24. How to Train Your Dragon Trilogy (2010, 2014, 2019)
Animated movies have prominent places in my top ten, but this will have to serve as the only representative of the medium in this section of my list. I loved the first film, with its unique animation and heartfelt moral center, before I had a child and his love for the series as it’s gone on has only furthered my own appreciation. The series has several Pixar-level emotional pulls and the conclusion of the series is spot on. Gerard Butler’s voice work in the first two movies makes up for four, maybe five of his terrible movies this decade so he’s only, like, eight or nine movies in the hole right now. (Please stop, Gerard. 

23. Little Women (2019)
Here I go on my Little Women soapbox once again. I’ve talked about this movie ad nauseum both in print and on the air over the last month but I’m still swooning over Greta’s perfect work here. The entire cast is magnificent and the re-structure of the story to add a bit of modernity to the timeless nature of the story is a stroke of genius. Gonna go ahead and change my Twitter handle to @LittleWomenBrian at this point, I guess.  

22. Ford v Ferrari (2019)
Just a notch ahead of Little Women on my “favorites” list despite their ranks being flipflopped on my top ten of 2019 list, rewatchability is the big key here. I walked out of Ford v Ferrari, a movie that is immensely better than it needed to be and which features some of the best direction of the decade in addition to the cast, and my first thought was, “I am going to watch that sooooooo many times in the future.” So shall it be written, so shall it be done.  

21. The Grand Budapest Hotel (2014)
I love Wes Anderson. Whoa, I know, hot take alert! We only three movies from Anderson this decade (after four last decade, stop slacking, Mr. Anderson!!!) and they were all bangers but this, for me, is his masterpiece (at least so far). It has all the elements I want and expect from an Anderson movie but with Ralph Fiennes at the helm. Watching Fiennes, one of the greatest dramatic actors of his generation, delivering Anderson’s quirky, weird dialogue PERFECTLY is one of the most satisfying experiences in film history for me. On paper, he seems like such an odd fit but in execution, it’s delightful. Saoirse Ronan is also a great fit in the Andersonverse and I hope she is a part of the troupe forevermore.  

20. Knives Out (2019)
My favorite movie (again, not necessarily BEST, but favorite) from a packed year in cinema, Knives Out is the kind of movie we don’t get nearly enough: mid-budget movies made for adults that are FUN. I love blockbusters and I love awards-y dramas that make me cry but sometimes I just want to have a good time at the movies without explosions and Iron Men suits and aliens and stuff. The cast is great, and the pairing of Daniel Craig Having Fun with Ana de Armas is excellent. I’m a big fan of Rian Johnson and I think he has even better movies ahead of him but if at the end of his career, Knives Out is his best work, that will be quite an achievement.

19. Inside Llewyn Davis (2013)
For as much as I love the Coen Brothers (Fargo is a masterpiece and I think No Country for Old Men is the best movie of the previous decade), I don’t rewatch a lot of their work. It takes a certain mood for me to appropriately appreciate a Coen movie and I’m not often in that place after the first viewing. But I LOVE Inside Llewyn Davis. It feels like it was written specifically for me and that observation might bear weight given that I was literally the only one laughing in my theater during my first viewing. Oscar Isaac is so at home in this world; he jives seamlessly with the Coen tone and aesthetic. And the music... Oh, that music. This is by far my favorite soundtrack of the decade and the record makes frequent appearances on my turntable.

18. Crazy Stupid Love (2011)
The thing that I love the most about Crazy Stupid Love is how imperfect it is. The plot is sloppy in places, the dialogue isn’t always spot on, a few scenes run a little too long, etc. But because the story itself revolves around a bunch of imperfect humans trying their best to figure things out, I think those imperfections work. I think this movie would be a guilty pleasure-type, though, if it weren’t for the cast. Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Marisa Tomei, and Kevin Bacon all bring their A-game to the movie and their roles. Carell and The Gos make up perhaps my favorite on-screen pair of the decade which is not a thing I would’ve thought possible going into this movie. Gosling taking off his ring to punch Bacon in the face is a perfect cap on an imperfect movie.

17. The Martian (2015)
This was one of my favorite books of the decade and the adaptation was vintage Ridley Scott. (By vintage, I mean he was actually awake on set.) The Martian is one of the better blends of comedy and intensity you will see in film and the cuts back and forth between Mark Watney on Mars, the crew of the Ares III, and NASA at him are really smooth and build out the story exquisitely. Also, I don’t know if you know this or not, but Matt Damon is a movie star and it is very fun to watch him do interesting things on screen.

16. The Way Way Back (2013)
I love blockbusters (see above and below) but there comes a point every summer at which I am crying out in the desert of explosions for something different, something smaller, something more human. 2013 provided that and more with The Way Way Back, a delightful little movie featuring an all-star cast and a feel-good premise that is much more actual feel-good and less emotional manipulation. I love the “father/mother figure takes misunderstood or neglected child under his/her wing” trope and this one nails it with Sam Rockwell delivering one of his very best performances. It’s funny and touching and much better written than it had any need to be and I love that combination.

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15. Guardians of the Galaxy (2014)
There’s plenty of fun to be had in the previous Marvel movies but Guardians is, for me, the movie in which the MCU truly embraced the fun. It’s outlandish and galactic and makes less sense on paper than the more standard MCU movies but this is one of those movies that you remember seeing for the first time. It pops off the screen, with its colors and weird characters and perfect music cues. Sure, the villain is lacking (as per usual) but the strengths of the cast more than makes up for this shortcoming and prior to 2014, I did not have Rocket Raccoon in my life and now I do so I am eternally grateful.

14. Skyfall (2012)
I’m hit or miss on Bond (or perhaps Bond is hit or miss on me) but I thought Casino Royale was likely to be as good as Bond could possibly get. Then Skyfall vaulted Bond to all new heights. As I mentioned in Knives Out, when Daniel Craig is invested, he’s a sight to behold and here, he is supremely invested. Javier Bardem’s Silva is interesting, calculating, and creepy which makes him an actual adversary for Bond not just a goon to be pummeled between martinis. And then there’s Roger Deakins’ superlative-inducing cinematography. Skyfall is a GORGEOUS movie from start to finish and Deakins adds so much sophistication to the World of Bond that the movie ultimately transcends Bond.

13. Mission: Impossible – Fallout (2018)
Whereas Bond has always been hit or miss, the M:I series has always been a favorite (excepting that weird turn in 2000 that no one needs to talk about or remember). Just like Bond, though, I thought the series had reached its peak with Ghost Protocol and then had my expectations blown away here. My affinity for Cruise, the hardest working movie star of all-time, is well-known but even by my incredibly high standards, he topped himself here. And who knew the addition of Henry Cavill would be so awesome?! The dude literally powered up his shirt cuffs! What a MOVE! The action sequences in Fallout are all-timers and I left the theater pumped up for whatever foolishness this series is going to bring to the table next time around.

12. Logan (2017)
I would peg Logan as the best superhero movie of the decade, a decade that was, after all, dominated by superhero movies. Wolverine is so interesting on screen but rarely built around properly and Logan felt like a final chance. In fact, I think I was worried going in that this would feel a bit desperate. Instead, the movie truly unlocked Wolverine for the first time, made him human, and allowed him to be who he was meant to be. Much was made of the R-rating and that’s certainly paved the way for one genre of superhero movies moving forward but it’s not the violence and language that made Logan great, it’s the mature story and the willingness to go dark in search of finding something hopeful. I love X-Men in pretty much every form but Logan is the only X-Men property that packed a true emotional punch.

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11. Baby Driver (2017)
I love when a movie can be technically brilliant, supremely well-crafted, and compelling but also fun. Edgar Wright made that combination sing (sorry, sorry) in Baby Driver. The action is intense, the story adds unique elements to some well-worn tropes, and the cast is fun (minus Kevin Spacey who I am contractually obligated to mention as very not fun in every movie ever), particularly Jon Hamm who is so good at being sleazy that I’m a little concerned for his friends and family. It’s an explosive movie with a great soundtrack and poetic dialogue that flows beautifully as the story unfolds. Baby Driver could so easily fall victim to its own ambition and become a gimmicky but Wright steers (again, sorry) clear of all pitfalls and delivers an outrageously fun film.

The rest of my top 50:

26. Avengers Infinity War/Endgame 39. X-Men: Days of Future Past
27. Mud 40. Lady Bird
28. Black Panther 41. Coco
29. Get Him to the Greek 42. Warrior
30. Zero Dark Thirty 43. Moonrise Kingdom
31. The LEGO Movie 44. Looper
32. About Time 45. Captain America: The Winter Soldier
33. The Social Network 46. Dunkirk
34. Easy A 47. Super 8
35. Hell or High Water 48. La La Land
36. The Muppets 49. Deadpool
37. Mission: Impossible – Ghost Protocol 50. Edge of Tomorrow
38. Spider-Man: Into the Spider-Verse

Top Ten Favorite Performances of 2019

I’m going to confess to you right off the top, dear reader, that there is a whole lot of cheating going on in this list. One might even call it shenanigans. Whenever I make a list for either the podcast or the blog, I am always inclined to find ways to stretch the list a bit, dance around the edges, slide an extra movie in here or there because I love movies and I want to talk about as many of them as possible. Usually with a list like this, I might break the rules a time or two. This time I basically spat in the face of the rules and did what I wanted because, after all, this is my blog and I can do what I want. I don’t know exactly how many performances I crammed into this list of ten but suffice it to say it is a lot more than ten. So be it. 2019 was one of the best movie years in my time as a part-time critic and as such, when I sat down to make my list, there were far too many that demanded to be included and so many that felt tied to one another. So here are my ten to 30-ish favorite performances of 2019.

HONORABLE MENTION: Keanu Reeves, John Wick (John Wick 3) and Keanu Reeves (Always Be My Maybe)
It’s nice when an actor who is by all accounts a great person but is not, perhaps, the rangiest performer in the industry finds a thing and latches on to it the way Keanu has with John Wick. The third movie in this franchise is by far the MOST John Wick-y and thereby the MOST Keanu-y and it is a blast to watch him have a blast on screen. His turn as an exaggerated version of himself in Always Be My Maybe was also magnificent and gave us my favorite gif of the year and for that alone, Keanu bears mentioning.

Other close calls that deserved a mention: Awkwafina and Shuzhen Zhao (The Farewell), Daisy Ridley (Rise of Skywalker), Adam Driver and Scarlett Johansson (Marriage Story), Adam Sandler (Uncut Gems), Kaitlyn Dever (Booksmart), Taron Egerton (Rocketman), and Roman Griffin Davis (Jojo Rabbit).

10. Robert Downey, Jr., Tony Stark/Iron Man (Avengers Endgame)
Perhaps a bit of a Lifetime Achievement Award here, with Endgame representing the culmination of ten-year, 22-movie endeavor, it feels appropriate that the character that started it all got to have the hero moment of hero moments. RDJ has always been stellar in this role, even when the movies around him were a bit up and down, but this movie allowed him to do some real acting in addition to playing what is essentially a parody of himself. He’s the emotional core of the movie and provides stability for a huge cinematic endeavor brought to fruition in this, the biggest movie of all-time.  

9. Shia LeBeouf, Tyler (The Peanut Butter Falcon) and James Lort (Honey Boy)
I can’t say I always saw this revival coming but I always hoped LaBeouf would right his own ship in the midst of what felt like a decade of perpetual self-sabotage. He’s been doing interesting things in smaller movies for the last couple of years but with this pair of performances, it feels like he’s fully broken through and rediscovered himself as an actor. Both of these roles were challenging in different ways and he met them head-on, delivering complex portrayals of characters with harrowing pasts. His turn in Honey Boy drew the most critical attention but for me, it’s his work with Tyler that really resonates and with which he made the most interesting decisions. Here’s hoping the Shiaissance is real and lasts long-term.

8. Michael B. Jordan, Bryan Stevenson (Just Mercy)
MBJ is in the tier of actors whose name alone can get me in the theater. “Ah, Michael B. Jordan is in this movie, you say? I shall see you there. Bully!” (I don’t really say “bully”, but it felt like that sentence needed a “bully”.) Just Mercy is a beautiful, touching, and infuriating movie that I would see and trumpet regardless of the lead but MBJ is just so great in this role. He blends character actor traits with movie star charisma, quietly exhibiting all of the emotions someone should feel while handling the events of the film while also burning up the screen in that “I can’t stop watching this guy” way that only the greats can pull off.

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7. Tom Hanks, Fred Rogers (Beautiful Day in the Neighborhood)
I can’t tell you, dear reader, how much I needed Tom Hanks as Mr. Rogers in my life. There are so few times, even with movies I love, that I leave the theater feeling good; like, truly good. Hanks’ perfect embodiment of all the virtues that made Mr. Rogers who he was did just the trick for me. It would be easy to overlook the work Hanks put in here because he kind of is the Mr. Rogers of Hollywood. But when you see the movie, you see Hanks for about two minutes and then you see Mr. Rogers from then on. It’s a subtly great performance and gives me warm, fuzzy feelings.

6. Brad Pitt and Leonardo DiCaprio, Cliff Booth and Rick Dalton (Once Upon a Time in Hollywood)
Okay, time to start all the cheating. Because I am a garbage person and because we do not make movie stars with the frequency that we used to, I very much enjoy watching movie stars be movie stars along with other movie stars. That sounds like a very dumb, overly specific Netflix category but there we are. The intensity of DiCaprio is in direct contrast to Pitt’s easygoing charm and they both deliver those Tarantino lines flawlessly throughout. Hollywood is perhaps Tarantino’s most fun movie and boy, were these two having fun working with each other.

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5. Lupita Nyong’o, Adelaide Wilson/Red (Us)
We’re past the point at which Nyong’o’s name should always come up when discussing the best actors and actresses in the industry. I did not personally need more proof of that prior to forcing myself to sit through Us but if I did, this would have been the clincher. The duality of her roles is extremely difficult to pull off, but the real brilliance is in her ability to show the similarities between her two characters. She’s excellent in both and with a lesser actor in her shoes, I’m not sure Us is nearly as effective or memorable as it is with her in the fold.

4. Song Kang Ho, Kim Ki-taek (Parasite)
I’m still in awe of Parasite and the incredible strength of the entire cast but it’s Mr. Song’s work that still stands out to me the most so many months after my first viewing. So much of the film’s emotional weight rests of Song and the transitions in tone, the blend of comedy and drama and beyond, take their onscreen cues from him. It’s like you’re not quite sure how to react until you see how Kim reacts. He has great gravitas on screen, and I expect to see his name come up frequently in the future.

3. Ana De Armas and Daniel Craig, Marta Cabrera and Benoit Blanc (Knives Out)
On with the cheating! Like Parasite, the entire cast of Knives Out (my favorite movie of the year) is outstanding but these two are the stand outs and while they’re both GREAT in their own, it’s their scenes together that truly propel Knives Out to its greatest heights. It’s a bit of an unlikely pair, as opposed to Leo and Brad in Hollywood and Damon and Bale in Ferrari, and that adds to their playful dynamic. It feels unknown and spontaneous. I was pumped to see Craig in a fun role, knowing that when he’s invested, he’s wonderful on screen, but De Armas took me by surprise and proved to be a breakout star.

2. Matt Damon and Christian Bale, Carroll Shelby and Ken Miles (Ford v Ferrari)
Let the cheating continue! When I set out to make this list, I knew both Damon and Bale had to find a place herein and ultimately, that’s what opened up the door for all the pairings. But seriously, I don’t know how you could watch Ford v Ferrari (a movie I will rewatch approximately 600 million times over the rest of my life) and pick one of these actors over the other. Like I said with Hollywood, I greatly enjoy watching movie stars work with other movie stars and the chemistry between these two is kinetic. Damon is always insanely likable and normal in the midst of great performances (he’s the closest we have to Hanks in this regard) and that’s on full display here. Bale, on the other hand, sometimes loses a bit of relatability in the name of ACTING (said in a deep, booming, stage voice) but here he’s both relatable and ACTING. It’s the combination of the two of them on screen that takes FvF from solid sports movie to exquisite dramedy.

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1. Cast, Little Women
So much cheating, you guys. When the year began, if you would’ve told me that Little Women would be my top movie of the year and the entire cast would take the top spot here, I would have sued you for slander or libel depending on the form in which you made these claims. And yet, here we are. I’m in love with the way Greta Gerwig reworked this movie to give it both a modern and timeless feel and I’m possibly even more in love with the cast. Casting directors Kathy Driscoll and Francine Maisler should be in charge of casting every movie from here on out. At virtually every turn, they got the perfect actor for each role and at virtually every turn, those actors crushed their respective performances. Saoirse Ronan is a force! Laura Dern delivered her most relatable performance ever! Florence Pugh is a star! Eliza Scanlen is perfectly understated! Emma Watson is fine! And that’s not to mention the surrounding players like Timothee Chalamet, Meryl Streep, Bob Odenkirk, and beyond. It’s an exquisite group of actors giving exquisite, beautiful performances throughout and the way they click together with Gerwig’s script makes Little Women work perfectly.

Top 25 of 2019: 11-25

2019 turned out to be one of the best movie years since I started writing (mediocre) film critique many moons ago. In fact, I’d wager in that in seven years of Mad About Movies, this is probably the best set of films we’ve had the privilege of covering. I confess, I couldn’t have seen that coming when I watched blockbuster after blockbuster fall in the fake of Avengers Endgame and fail to reach anything resembling the magic I associate with big tentpole movies. Lo and behold, though, somewhere toward the end of July, 2019 found itself and the remainder of the year was outstanding. Making a top ten list is difficult even in bad years but a great year like this? Well, this is the kind of traumatic event they don’t warn you about in Part Time Movie Podcasting and Writing School. My co-hosts and I recorded our annual year-end wrap-up episode this weekend (releasing tomorrow) but as a precursor for the ten films I put on my final list, here are my picks for the rest of the best of 2019.

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25. Doctor Sleep
In what was a sea of unnecessary and/or unwanted sequels this year, I couldn’t have guessed that Doctor Sleep, a sequel to The Shining, would be one of the few that broke through the malaise. Ewan McGregor is reliably excellent and the surrounding cast, including Rebecca Ferguson in a very slick-but-creepy role and newcomer Kyleigh Curran, add great depth to the events. It is the expansion on the world set out in The Shining, however, where the movie really excels.

24. Rocketman
The trailers for Rocketman made it look like the Across the Universe-Bohemian Rhapsody hybrid I very much did not want in light of the latter’s mindboggling success with both audiences and critics (not to mention Oscar voters) alike. While that recipe was, in fact, a good summation of the film, the stylized elements, headed by director Dexter Fletcher, worked far better here than it did in Across the Universe and Taron Egerton’s excellence put Rami Malek’s work as Freddie Mercury to shame. A couple of weak numbers here and there (particularly the opening 15 minutes) hampered the returns a bit for me but overall, this was a smashing success.

23. Us
The difficulty Jordan Peele faced in following up 2017’s Get Out cannot be overstated but Us is no sophomore slump. This had one of the most effectively terrifying trailers I can remember; so terrifying, in fact, that I refused to see the movie in a theater. When I caught up via streaming, however, I found the film to be less scary than anticipated but, in true Peele fashion, much more socially and culturally relevant. Even still, it’s Lupita Nyong’o’s unbelievably great work in a dual role that carries the movie to its highest heights.

22. Togo
I do not care for Willem Dafoe or dogs dying in movies (or in real life, to be clear) but apparently the combination of the two works for me. Togo tells a compelling story in a concise but sophisticated way, sets the record straight regarding a great injustice in Dog History, and, most importantly, puts a very good doggo on full display for all the world to see and compliment said doggo for what a good job he did. In related news, Balto is cancelled.

21. Abominable
Sasquatch/yeti/bigfoot content is very big in kid’s movies these days, but this is an Abominable household. Written and directed by Jill Culton (with a co-director credit for Todd Wilderman), this is a sweet, heartfelt movie with slightly different animation from the norm and great creature design on Everest (the yeti, duh). It’s a beautiful film and the scene in which our heroine rediscovers and plays the violin her father left behind is one of my favorites of the year.

20. Uncut Gems
I’m lower on this than my co-hosts and many of its bigger supporters but it’s still a very good and incredibly intense movie that explores several lesser-known worlds (the jewelry trade, sports betting) within a well-known one (Manhattan). Uncut doesn’t entirely land for me but Adam Sandler is genuinely terrific in what should have been an Oscar-nominated performance.

19. Spider-Man Far from Home
A smidge lesser than its predecessor (Homecoming) and perhaps suffering a bit from Post Endgame Syndrome, Far from Home is, nevertheless, a very good superhero movie featuring our friendly neighborhood Spider-Man doing fun things. I hope that non-Avengers Spider-Man films are allowed to be a little smaller in scale as Homecoming was a great respite from “End of the World Fatigue” but even on a larger scale, Tom Holland is great in both parts of his role and this movie serves as a strong stepping stone to the next phase of the MCU.

18. Honey Boy
Perhaps the second-toughest watch on my list (see the next entry), Honey Boy is nonetheless a well-crafted film that deserved a spot here despite the fact that I will likely never see it again. A semi-autobiographical film written by Shia LaBeouf about his life as a child actor starring himself as his drunk, abusive father, it’s hard to describe how difficult some segments of this film were to sit through. And yet, the combination of Alma Har’el’s direction and LaBeouf’s intense on-screen dynamic with newcomer Noah Jupe gives a sense of hope to the movie and you leave in a better place than you began, against all odds.

17. Marriage Story
Hoo boy. As difficult as Honey Boy is to get through, it pales in comparison to Marriage Story. Its opening scene is an absolute gut punch and Noah Baumbach’s writing and direction never lets up from there. The performances, highlighted by Adam Driver and Scarlett Johansson, are some of the best of the year and the delivery by both of them in the more difficult scenes adds to the weight of the film and the devastation that each scene leaves in its wake. It’s magnificent as a film and I will never, ever watch it again.

16. John Wick Chapter 3 - Parabellum
Perhaps strangely, given my love for and loyalty to the Fast and Furious series, I haven’t always been fully on board with the John Wick movies films. This one, though, hit the mark and re-cast the entire series in my mind. Parabellum adds intrigue to this universe by expanding upon the world in which it takes place (which is very stupid; that should not work in a movie about an assassin who goes on a rampage because someone kills his dog) without losing the ingredient that makes the movies work in the first place: Keanu Reeves doing extreme Keanu Reeves things. So, so stupid, and yet so, so fun.

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15. Star Wars: Rise of Skywalker
I feel like I am in the vast minority in that I have liked/loved/enjoyed all of the Disney Star Wars movies and do not carry great angst toward any of them. Wait, no, stop, please stop hitting me with stones! I have qualms both big and small with Rise of Skywalker (which mostly relate to how it does and does not cooperate with Last Jedi) but for me, none of them overshadow the better elements of the movie. Daisy Ridley’s superstardom are on full display here and there are many, MANY scenes that stand out as triumphs. We used to live in a world in which the prequels were the last Star Wars movies and we did not know who Ridley, Adam Driver, Oscar Isaac, and John Boyega and now we do not live in that world and we are better for it. Also, on a personal note, any movie the rights the wrong inflicted upon Chewbacca by denying him a medal of bravery 42 years ago is a good one in my book.

14. The Peanut Butter Falcon
The second movie in this year’s Shiaissance to make my list, Peanut Butter Falcon is much more pleasant and easier to watch. Also, this might be controversial (controversial amongst the eight total people who saw both of these movies), but I think this was the better of his two very good performances on the year. I’m a sucker for the mentor-mentee/father figure/buddy-buddy trope but LaBeouf is exquisite as the mentor (of sorts) to Zack Gottsagen’s breakout performance as the mentee. I particularly love how gracefully the movie handles Gottsagen’s disability and uses him not as a plot device but as an actual character (shocking, I know). Peanut Butter Falcon is a misstep in the final five minutes from a top-ten film and one that I’ll watch many times over.

13. How to Train Your Dragon: The Hidden World
I love this series. While the first film came out before I had a child, this trilogy has become one of my kid’s favorites and I’m here for it pretty much anytime he wants to journey to the Island of Berk to hang out with Hiccup and Toothless. Hidden World was one of the more satisfying conclusions to a beloved series in recent memory and absolutely wrecked me in its final moments.

12. Just Mercy
I’m a bit biased here in that I’m well aware of the work that Bryan Stevenson (the man who Michael B. Jordan plays in the film) and his non-profit, the Equal Justice Initiative, take on each day but regardless, I found Just Mercy to be an outstanding film. Jordan is so perfect in this role and embodies all of the emotions that every viewer of this film ought to have. Jamie Foxx delivers one of his best performances as well in a sobering, subdued portrayal. Maybe the best thing about the movie, though, is writer-director Destin Daniel Cretton’s ability to illustrate the macro awfulness of our justice system in a micro setting. Just Mercy doesn’t let the audience off the hook easily and the camera lingers in spots where you might instead see a cut but Cretton makes his moves with subtlety and invites the audience to be outraged not just by an event that did happen but by something that is still happening, over and over, on a daily basis.

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11. 1917
I feel a bit weird leaving this film outside my top ten as it is a masterpiece of filmmaking and one of the most memorable theater experiences I have ever had. It was just an incredible year for film, and I do wonder if in five years I will still appreciate this movie as a film and not just as an experience. Regardless, the quality of 1917 is unassailable and Roger Deakins’ cinematography will be used in film class for decades to come. George McKay and Dean-Charles Chapman do yeoman’s work in extremely important but thankless roles and it is their humanity, bad decisions and all, that keeps the movie grounded in reality even beyond the jaw-dropping camera work.

Oscar Ballot - 2020

It may come as some surprise to you, dear reader, that I do not have a real Oscar vote. As of yet, the Academy has not returned my notarized letters. Cowards. This is the internet, however, and there are no rules on the internet so if I want to make a fake Oscar ballot and pretend the Academy is taking my submission, I can. 2019 was an incredible year for movies, one of my favorites ever, and picking just five nominees in each category was extremely difficult. Here’s my ballot.

BEST ACTOR
Adam Driver, Marriage Story (Winner)
Adam Sandler, Uncut Gems
Christian Bale, Ford v Ferrari
Leonardo DiCaprio, Once Upon a Time in Hollywood
Matt Damon, Ford v Ferrari
FINAL CUTS: Michael B. Jordan (Just Mercy) and Taron Edgerton (Rocketman)
THOUGHTS: I would be happy with any of these actors coming away with the trophy but I think Driver had the performance I'm going to remember most even if I remember the other movies more. 

BEST ACTRESS
Ana De Armas, Knives Out
Awkwafina, The Farewell
Lupita Nyongo, Us
Saorise Ronan, Little Women (Winner)
Scarlett Johansson, Marriage Story
FINAL CUTS: Cynthia Erivo (Harriet) and Renee Zellweger (Judy)
THOUGHTS: Too often, the Best Actress field is comprised of middle-aged legends in movies very few people saw. This year's crop, however, feels fresh and vibrant and the movies represented (not just on my ballot but in consideration at large) are much more culturally visible, which is good! I loved all of these performances, but Ronan is an absolute FORCE. 

BEST SUPPORTING ACTOR
Brad Pitt, Once Upon a Time in Hollywood
Daniel Craig, Knives Out
Kang-ho Song, Parasite
Timothee Chalamet, Little Women
Tom Hanks, Beautiful Day in the Neighborhood (Winner)
FINAL CUTS: Robert Downey Jr. (Avengers Endgame) and Jamie Foxx (Just Mercy)
THOUGHTS: I don't know, y'all. As great as the leading actors were this year, these are some of my very favorite across all categories. I've got Hanks by the thinnest of thin margins over Pitt but I didn't feel good about not rewarding any of them. 

BEST SUPPORTING ACTRESS
Florence Pugh, Little Women
Kaitlyn Dever, Booksmart
Laura Dern, Little Women (Winner)
Shuzhen Zhao, The Farewell
Thomasin Mackenzie, Jojo Rabbit
FINAL CUTS: So-dam Park (Parasite) and Scarlett Johansson (Jojo Rabbit)
THOUGHTS: Cutting down to the best five was much more difficult for me than picking the winner, not because any of these women were anything less than great but because Dern was GREAT great. 

BEST DIRECTOR
Bong Joon Ho, Parasite
Greta Gerwig, Little Women
James Mangold, Ford v Ferrari (Winner)
Marielle Heller, Beautiful Day in the Neighborhood
Sam Mendes (1917)
FINAL CUTS: Taika Watiti (Jojo Rabbit) and Lulu Wang (The Farewell)
THOUGHTS: This one was an exercise in self-hatred. I loved so many movies this year and found the directorial effort across the board to be extraordinary. There are probably a dozen filmmakers who I'd like to sneak on this list if I were allowed to do ties or tiers. As it is, I'll take Mangold over Gerwig and Ho by, again, the slimmest of margins. 

BEST ADAPTED SCREENPLAY
The Irishman
Jojo Rabbit
Just Mercy
Little Women (Winner)
Toy Story 4
FINAL CUTS: A Beautiful Day in the Neighborhood and Two Popes
THOUGHTS: A weak year overall in this category still features a couple of great scripts. Greta Gerwig's radical approach to well-worn material gets the nod over Waitit's bold and ambitious work on Jojo. 

BEST ORIGINAL SCREENPLAY
The Farewell
Knives Out
Marriage Story
Once Upon a Time in Hollywood (Winner)
Parasite
FINAL CUTS: Ford v Ferrari and 1917
THOUGHTS: Genuinely, these are some of the best scripts I can ever remember in my time as a fake movie critic. I'm not always pro-Tarantino but he is one of the greatest screenwriters ever and OATIH might be his best script yet. 

BEST PICTURE
1917
Avengers Endgame
Beautiful Day in the Neighborhood
The Farewell
Ford v Ferrari (Winner)
Jojo Rabbit
Knives Out
Little Women
Once Upon a Time in Hollywood
Parasite
FINAL CUTS: Toy Story 4 and Marriage Story
THOUGHTS: I've gone on and on about how great this year was so obviously the Best Picture conversation is a tough one to sort through. There's five, maybe six movies on this list that, if they'd come out in 2018, would be my top choice for the year. Ford v Ferrari is a much better, more ambitious movie than it is being given credit for (or has any need to be) and it is the movie I'm likely to rewatch the most so it gets my vote. But, gosh, Little Women and Parasite also deserve the top spot. I DON'T KNOW. STOP YELLING AT ME.